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頁籤選單縮合
題 名 | Taking Off: a Feminist Approach to Two Contemporary Women's Novels in Taiwan |
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作 者 | Chiu,Kuei-Fen; | 書刊名 | Tamkang Review |
卷 期 | 23:1-4 民81.秋-82.夏 |
頁 次 | 頁709-733 |
分類號 | 823.2 |
關鍵詞 | 蕭麗紅; 桂花巷; 李昂; 殺夫; Signifying; Phallocentric; Violence; Language; Public; Patriarchal; Feminine; Discourse; Inarticulate; Defense; |
語 文 | 英文(English) |
英文摘要 | Here I show how two contemporary Taiwanese women's novels, which depict the role of women in traditional Chinese society, ultimately call our attention to the perplexing question of women’s relation to language, to the signifying process governed by patriarchal rules. But while T’i Hung, in Hsiao Li-hung’s The Lane of Sweet Osmanthus, gains a certain power over language through her desire to author her own life story, Lin Shih of Li Ang’s The Murder of a Husband never gains such power. Rather, silence and inarticulate cries are Lin Shih’s only defense against the sexual violence of her husband and of the public (patriarchal) discourse. Perhaps a truly “feminine writing” is, as Cixous says, an “impossibility that will . . . always surpass the discourse that regulates the phallocentric system… .” |
本系統中英文摘要資訊取自各篇刊載內容。