查詢結果分析
相關文獻
- 從殺夫小說〈女陪審團〉與《殺夫》--探勘手刃親夫的隱喻世界
- 非關色情--「性」在李昂《殺夫》中的意義
- 論李昂「殺夫」的女性意識覺醒
- 女性主義打勝的一場仗?--由李昂的「殺夫」談起
- 男尊女卑下的兩性關係--評李昂《殺夫》
- 水能載舟,也能覆舟:由「殺夫」、「Beloved」中看「迷信」對應於主流意識型態之策略運用
- 李昂「殺夫」中性別角色的相互關係和人格呈現
- 《殺夫》、《暗夜》與《迷園》中的女性身體論述
- 牽娘的手入繡廳,別人言語不可聽--李昂「殺夫」中的性虐待、性歡愉與性壓抑
- Taking Off: a Feminist Approach to Two Contemporary Women's Novels in Taiwan
頁籤選單縮合
題 名 | 從殺夫小說〈女陪審團〉與《殺夫》--探勘手刃親夫的隱喻世界=Discovering the Metaphysical World of “Killing-Husband” According to the Novel the Butcher's Wife and “A Jury of Her Peer” |
---|---|
作 者 | 唐毓麗; | 書刊名 | 東海中文學報 |
卷 期 | 15 民92.07 |
頁 次 | 頁269-306 |
分類號 | 815.1 |
關鍵詞 | 李昂; 蘇珊.葛雷斯珮爾; 殺夫; 女陪審團; 殺夫小說; 隱喻; 喬治.萊科夫; 馬克.約翰生; Li Ang; Susan Glaspell; The Butcher's Wife; A Jury of Her Peers; Killing-husband novel; Gorge Lakoff; Mark Johnson; |
語 文 | 中文(Chinese) |
中文摘要 | 本文運用喬治.萊科夫(Gorge Lakoff)和馬克.約翰生(Mark Johnson)著作Metaphors We Live by《我們賴以維生的隱喻》中「Metaphors」隱喻的三個範疇,重新延伸詮釋李昂(1952-)《殺夫》與美國作家蘇珊.葛雷斯佩爾(Susan Glaspell, 1882-1948)“A Jury of Her Peers”〈女陪審團〉兩篇女性殺夫小說,發現小說中不論是鹿城/陳宅或狄克生郡/萊特家的容器隱喻,都揭露了家庭原是男性暴力橫行的場域。小說中的方位隱喻挾帶著性能力、經濟力、權勢的昭示意圖,這是男性本體經驗主宰權力以及性別政治裡男性霸權文化的歷史基礎。女性殺夫小說除有尖銳的社會批判意義外,手刃親夫的驚駭行動,積極呈現女性對第二性處境的覺醒,但也消極地指明兩性衝突不得不以「殺人」方式終結的困局。在層層疊疊方位隱喻(orientational metaphor)、本體隱喻(ontological metaphor)與結構隱喻(structural metahpor)呼應與串連的架構下,一再直指父權體制下「婚姻是女人的災難」的警世隱喻。「女性小說」展現女性「身體、主體、文本」三位一體的書寫文本,探索「殺夫」小說的隱喻世界,正可作為一個簡要切入點,追索男性文化「宰制權力」的禍首根源,對「父權」、「男尊女卑」意識型態的解碼應具特殊的意義。 |
英文摘要 | Using three metaphor scopes (orientational, ontological and structural) from Gorge Lakoff and Mark Johnson's Metaphors We Live By, this article examines Li Ang's The Butcher's Wife (李昂,《殺夫》) and American novelist Susan Glaspell's "A Jury of Here Peers," and draws a conclusion that home is a field where man's violence prevails. The orientational metaphor contains a man's sexual ability, economic ability and power, which form a historical basis of male hegemony that has come to dominate in power and gender politics. The fictional work with killing-husband theme not only criticizes society acutely, but also awakens female readers through a presentation of the heroine's shocking behavior of killing husband. However, the theme of "killing-husband" also implies the invalidity of ending family conflicts by "killing". By using orientational, ontological and structural metaphors, this article focuses on the metaphor "marriage is female's disaster under the patriarchy system". Novels by female writers show a context of combining "body, ontology and text". This paper uses the metaphorial world of killing husband as a point of departure and goes on to discusses the source of Chinese and Western male culture of "dominating power". This line of investigation will be significant for the analysis and deconstruction of the ideology of "patriarchy" and "man dominating woman". |
本系統中英文摘要資訊取自各篇刊載內容。