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題 名 | Cultural Identity and Construction of Subjectivity: V. S. Naipaul's Half a Life=文化屬性與主體建構:奈波爾的《浮生》之文本分析研究 |
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作 者 | 張麗萍; | 書刊名 | 北商學報 |
卷 期 | 13 2008.01[民97.01] |
頁 次 | 頁131-145 |
分類號 | 873 |
關鍵詞 | 後殖民論述; 文化重構; 自我認同; 格格不入; Post-colonial discourse; Cultural reconstruction; Self-identity; Placelessness; |
語 文 | 英文(English) |
中文摘要 | 2001年諾貝爾文學獎得主奈波爾在後殖民文學中佔有一席重要的地位,具有三種不同的文化背景並不斷地追求其自我定位,其《浮生》堪稱集奈氏精華之作,紀錄奈氏一生漂泊離散的際遇並呈現主體、地理與語言之斷裂,其身分認同終歸多元而流動不居。主角威利猶如奈氏終身為追尋自我而不斷流亡,始自印度、英國、非洲終至德國。奈氏用諷刺角度批判印度的種性制度及階級文化,終至反省與肯定自我。 本研究嘗試用後殖民文化視角對奈波爾(V.S Naipaul)的《浮生》(Half a Life)進行分析研究,包括霍爾(Stuart Hall)的不固定身分認同(unfixed identity)、克里夫(James Clifford)的旅行理論(traveling theory)、梅希(Doreen Massey)的地方概論(concept and definition of place)、巴巴(Homi Bhabha)的模仿(mimicry)、雜揉理論(hybridity)及第三空間概論(third space)等,希冀揭露主體/客體、自我/他者間之關係,並呈現其複雜的殖民困境、身分認同之斷裂、漂泊離散之不安與疏離感,進而勾勒出印裔英國人的文化屬性及主體建構。 |
英文摘要 | In the domain of postcolonial literature, different ethnic groups, based on their different original cultural heritages, have their ethnic, cultural, and historical specificities. This study aims to explore the construction of subjectivity and/or otherness, complexity of colonial predicament, rupture of identity definition, sense of alienation of diaspora, among other thins, reflected in V. S. Naipaul's Half a Life through postcolonial cultural perspectives. V. S. Naipaul plays a paramount role in the postcolonial writings. He has an urge to articulate his fluid, multiple and unstable identities in terms of his unique postcolonial cultural perspectives. Half a Life records Naipaul's exiled life and manifests the ruptures among subjectivity, geography, and language toward multicultural and fluid identity. The masterpiece also portrays the protagonist Willie's constant exiled life from India, England, Africa, Germany so as to rediscover and affirm his self-identity. In this research, Stuart Hall's assertion of unfixed identity, James Clifford's traveling theory, Doreen Massey's concept and definition of place, Homi Bhabha's theories of mimicry, hybridity, and "third space" as the identity-making process will be applied to explain the identity-making process in V. S. Naipaul's Half a Life Simultaneously, this study aims at displaying Naipaul's distinctive heterogeneity of postcolonial writing in the process toward his self-identity. |
本系統中英文摘要資訊取自各篇刊載內容。