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題 名 | 中國現代鄉土散文初探=A Preliminary Study on Modern Chinese Nativist Prose |
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作 者 | 陳德錦; | 書刊名 | 新亞學報 |
卷 期 | 18 1997.07[民86.07] |
頁 次 | 頁357-372+506-507 |
分類號 | 824.1 |
關鍵詞 | 中國; 鄉土散文; |
語 文 | 中文(Chinese) |
英文摘要 | No other kinds of literature have been so extensively practised in modern Chinese literature as prose. The period of 1920s was a golden age since modern Chinese prose had a widespread experiment; travels, memories, reportage, lighthearted essays, propagandist essays. etc. Under a general influence from the Weat, writers had ultimately succeeded to reform the classical prose with a new kind of writing. One will not hesitate to say that the most onvenient medium to express one's ideas and emotion is prose. Yu Dafu郁達夫 had even foreseen that modern Chinese prose could merge harmoniously the elements of "humanity", society, and nature ". It is noticeable that many writers try heir best to identify themselves by means of prose, in respect to the different styles of prose writings from 1920s to 1930s. Nevertheless, beseides Western influence, individual creativity could not be understand. Cultural backgrounds, goegraphical features and regional language were foregrounded in prose. A school of "Xiangtu" Literature鄉土文學 was named under the movement and "Xiangtu" Prose鄉土散文 formed part of its integrity. Some prominent werters such as Lu Xun魯迅, Mao Dun茅盾, Fei Ming廢名 and Shen Congwen沈從文often established themselves by writing "Xiangtu" Prose and even some who seemed unlkily to do so had actually written such prose on occasions. To a considerable extent, "Xiangtu" Prose had fulfilled Yu Dafu's concept of ideal prose-writing. It also broadened the scope of modern Chinese prose and developed to be a kind of literature in its own way. More important, it explains the moods and modes of creativity of modern Chinese writers. The essay traces back the origin of "Xiangtu" Prose in respect to its close elationshpi with "Xiangtn" Literature and concludes that "Xiangtu" Prose encompasses the following characteristics: (1)Local colour; (2)Record of regional customs and languages; (3)Lyricism; and (4)Opemmess in its generic form. |
本系統中英文摘要資訊取自各篇刊載內容。