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題名 | 從可見與不可見談臺灣民間宗教的圓滿意象--以電影《看不見的臺灣》為例=On the Completeness Imagery of Taiwanese Folk Religion from Visible and Invisible: Take the Film A Journey with Invisible Friends as an Example |
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作 者 | 鄭岳和; | 書刊名 | 臺陽文史研究 |
卷期 | 5 2020.01[民109.01] |
頁次 | 頁85-103 |
分類號 | 271 |
關鍵詞 | 臺灣民間宗教; 他者; 業力; 療癒; 和解; 圓滿; Taiwanese folk religion; The other; Karma; Healing; Reconciliation; Completeness imagery; |
語文 | 中文(Chinese) |
中文摘要 | 存在感的來源,往往不限於個體生命歷程中,眼見為憑的真實。從氛圍、身體感乃至某詩意象帶來的迴盪,都顯示著不可見的某人事物,亦正組構著我們的生命感受,參與我們的日常。這時刻滲透、參與、影響吾人生命的不可見的在,人們一般將其歸納於宗教領域。然有別於西方宗教以對超越性神祇的崇敬,做為生命開展的向度,臺灣民間宗教關注的對象,多為曾與我們一樣生活在此世界中,但已逝去的先人們。雖不可見,但卻以某種方式與我們產生關連。對不論以何種方式、型態,切近於我們的「人」的重視,大於對超越性神祇的崇拜,是此宗教活動的特點所在。在此我們以電影《看不見的臺灣》為文本,透過在劇情脈絡中,對個體、共體與國族創傷所進行的宗教療癒活動,探討此特殊人與人的關係,及其存在圖像的意義為何。並由影片所呈顯的可見與不可見、被紀錄與不被紀錄、成就與遺憾交織的存在處境裡,思考臺灣民間宗教所追求的圓滿意象。 |
英文摘要 | The source of existence is often not limited to the visible reality in the individual life course. From the atmosphere, the sense of body, and even the reverberation brought by a poetic image, it shows something invisible to us, and it is also structuring our life feelings and participating in our daily life. This daily infiltration, participation, and invisible presence that affects our lives, is generally summarized in the field of religion. However, unlike Western religions, worship of transcendent deities as a dimension of life development, the focus of Taiwan's folk religions is mostly ancestors who have lived in this world like us but have passed away. Although invisible, it is related to us in some way. The emphasis on the "human" that is closer to us than the worship of transcendent deities is the characteristic of this religious activity. Here we take the film A Journey with Invisible Friends as text, and observe the religious healing activities it displays on the trauma of individuals, communities and nationalities. And explore the relationship between people and the significance of the existence of images in this activity. And in the presence of visible and invisible, recorded and unrecorded, achievements and regrets intertwined in the film, consider the completeness imagery pursued by Taiwanese folk religion. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。