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題名 | 至辯不言--從西方修辭學視角探討莊子〈人間世〉裏的兩則寓言=Great Disputation Is Speechless: Rhetorical Perspectives on Chuang-Tzu's Two Allegories in "The Human World" |
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作者 | 許嘉哲; Hsu, Chia-che; |
期刊 | 興大人文學報 |
出版日期 | 20150900 |
卷期 | 55 2015.09[民104.09] |
頁次 | 頁1-32 |
分類號 | 802.7 |
語文 | chi |
關鍵詞 | 莊子; 跨文化修辭; 修辭情境; 修辭戲劇主義; 修辭哲學; Chuang-Tzu; Cross rhetoric; Rhetorical situation; Rhetorical dramatism; Rhetorical philosophy; |
中文摘要 | 西方修辭學界對中國古代修辭的跨文化研究中,對於《莊子》的研究成果,主要集中在訴求超越理性邏輯論證的〈齊物論〉主張,以及寓言形式的修辭設計與效果,這顯示出西方學界對於邏輯與敘事主題的學科研究典範下的方向偏好,因此對於內篇〈人間世〉裡缺乏邏輯論證的材料,與現實動亂的切身感嘆情緒,顯然缺乏足夠的注意。事實上〈人間世〉裡的寓言就有不少可以繼續深度挖掘出莊子修辭思想的精華。本文在避免將部分篇章成書時代先後不一的《莊子》內、外、雜三十三篇的文本,全部視為單一思想整體的認知下,本文傴針對最能代表莊子思想的內篇〈人間世〉的兩則寓言分析。從修辭受眾問題的角度來看,在第三則寓言裡提出對受眾心理與人格的認識以及修辭反效果的分析。在第一則寓言裡則澄清莊子藉孔子與顏回的角色演出一場修辭戲劇,傳達出莊子對修辭情境產生條件的認知;在顏回試圖說服衛君和孔子,以及孔子說服顏回的這三組說服關係裡,都可見莊子修辭哲學的內涵;其中關於返回自我消除主觀的「心齋」,以及「虛室生白」的神聖空間修辭隱喻,都是莊子特色思想有效運用在修辭策略的表現。 |
英文摘要 | Most western cross-cultural research on the rhetoric of Chuang-Tzu(《莊子》 ) primarily focused on the logical argumentation, the rhetoric arrangements and the effects of allegories in“On the Equality of Things” (〈齊物論〉 ). “The Human World” (〈人間世〉 ) in the Inner Chapters, due to a lack of clear logical arguments as the other chapters, has not received much attention. It has, however, comprised Chuang-Tzu’s strong empathy towards the confusing era he was in and housed his rhetorical philosophy in some allegories. To avoid treating the 33 texts in the Outer, Inner and Mixed Chapters of Chuang-Tzu as a unanimous whole, this paper focuses on two most noteworthy allegories in “The Human World” in the Inner Chapters, one of the most significant chapters on Chaung-Tzu’s philosophy. In the first allegory, the rhetorical drama between Confucius(孔子) and Yen-Hui(顏回), Chuang-Tzu demonstrated his recognition of the conditions for rhetoric situations. In the persuasive dialogues between Yen-Hui and King Wei(衛君) as well as between Yen-Hui and Confucius, we could also see clear evidence of rhetorical philosophy of Chuang-Tzu. In “Fasting of the Mind”(心齋) and “The Empty Room Emits a Pure Light”(虛室生白), in particular, where spatial metaphors were evident, one can see effective application of rhetorical strategies in amplifying Chuang-Tzu’sphilosophy. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。