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題 名 | 駱以軍《西夏旅館》中的「屍骸」書寫與主體建構=Corpse Writing and Contruction of Subjectiviry in Luo Yi-jun's Western Xia Hotel |
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作 者 | 侯如绮; | 書刊名 | 淡江中文學報 |
卷 期 | 32 2015.06[民104.06] |
頁 次 | 頁361-384 |
分類號 | 823.6 |
關鍵詞 | 西夏旅館; 外省族群; 身體; 屍骸; 身分認同; Western Xia Hotel; Mainlander ethnic groups; Body; Corpse; Identity; |
語 文 | 中文(Chinese) |
中文摘要 | 本文將小說中大量屍骸意象的寫作,歸因於作者面臨解嚴後台灣社會排他處境的焦慮,以及作家本身失父遭致敘事斷絕危機的兩個源頭。藉由茱莉亞.克莉絲蒂娃(Julia Kristeva)所提出的「卑賤物」(abject)的觀點,筆者認為駱以軍乃是以書寫屍體為途徑,作為踏過主體身分認同危機的方式;寫作屍骸,成為作者企圖重建主體的手段。而妻子在小說中除了是敘事的來源,也是終極的追求,更是愛與恨的焦慮的承擔者。由妻子身體和屍骸的書寫,我們看到了離散主體遭逢外在社會身分認同的擠壓焦慮,以及主體在喪父之際內在面臨衝擊時的掙扎痛苦。他將離散敘事中的身體書寫意義展現在他層層包覆的隱喻之中,但這一書寫同時透露了他的恐懼乃至於憤怒。主體將其情感符號化,同時也成就了駱以軍在外省作家離散敘事中特殊的藝術表現。 |
英文摘要 | This study attributes the massive corpse writing inWestern Xia Hotel to two reasons. One is Luo's anxiety due to exclusive society in Taiwan after the abolishment of Martial Law; the other is overcoming crises via writing narrative because Luo loses his father. From the perspective of 'abject' proposed by Julia Kristeva, the author believes that Luo manages to overcome the crisis of subject identity via corpse writing. Corpse writing becomes the mean for Luo to reconstruct the subject. The wife inWestern Xia Hotel is not only the origin of narrative, but also the ultimate pursuit. She also bears the anxiety resulting from love and hatred. Through the wife's body and corpse writing, it is clearly presented the compressed anxiety the diaspora subject has had as an outside social identity, and the struggle of facing social conflicts while in the pain of losing his father. Luo presents body writing of the diaspora narrative in the form of metaphors, which also reveal his fear and anger at the same time. That the subject symbolizes his emotions becomes Luo's unique artistic representation in composing of the diaspora narrative among Mainlander authors. |
本系統中英文摘要資訊取自各篇刊載內容。