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| 題 名 | 後現代視閾中的向陽詩歌=Xiang Yang's Poetry in the Post-modern Perspective |
|---|---|
| 作 者 | 宋紅嶺; | 書刊名 | 當代詩學 |
| 卷 期 | 7 2011.12[民100.12] |
| 頁 次 | 頁31-49 |
| 專 輯 | 向陽詩作研究專輯論文 |
| 分類號 | 863.51 |
| 關鍵詞 | 向陽; 後現代主義; 身份認同; Xiang Yang; Post-modernism; Status identity; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 後現付主義是一個複雜而龐大的概念。從後現付的詞源學歷程來看,這個概念本身具更多元性、多義性、包容性,但一般認為:對元敍事的反動是其最為顯著的精神指向。向陽詩歌精神與後現付思想的聯繫驞現在:一、向陽詩歌形式及內容具有去中心化色彩;二、向陽詩歌在突破傳統,熔鑄新聲的同時,展現出多元、複雜的詩歌審美品質;三、向陽詩歌的探索性並未完成,是一項開放的未竟的事業。 |
| 英文摘要 | Post-modernism is an enormous and complicated conception. According to the history of Post-modernism derivation, this conception is pluralistic, multivocal, and comprehensive. But it is commonly considered that anti meta-narration is its most prominent spirit direction. The connections between the spirit of Xiang yang's poetry and Post-modernism lie in: First, his poetry shows a anti-centricity spirit by questioning the modernity both in form and content; Second, it appreciates poetry in a diverse and complex way while breaking down the tradition and bringing in a fresh style; Third, it's a business which needs further exploration. |
本系統中英文摘要資訊取自各篇刊載內容。