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題 名 | 電視偶像劇《吐司男之吻》 : 寫實主義的建構與再現=TV Trendy Drama The Kiss of Toast Man : A Construction and Representation of Realism |
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作 者 | 趙庭輝; | 書刊名 | 傳播與管理研究 |
卷 期 | 5:1 2005.07[民94.07] |
頁 次 | 頁27-58 |
專 輯 | 數位媒體產業之探討 |
分類號 | 989.2 |
關鍵詞 | 吐司男之吻; 建構與再現; 精神分析; 寫實主義; 電視偶像劇; Construction and representation; Psychoanalysis; Realism; The kiss of toast man; TV trendy drama; |
語 文 | 中文(Chinese) |
中文摘要 | 本文的基本立場認為,臺灣目前的電視劇或偶像劇研究,忽略電視文本的分析,然而文本的特殊性是瞭解電視劇或偶像劇能夠造成流行性的原因。本文採取英國學者J. Mcguigan建議的流行藝術取向,選擇2001年臺灣自製偶像劇萌芽時期,最值得關注的《吐司男之吻》作為研究對象。本文透過影像美學、精神分析與文化符碼等三個層面,對於《吐司男之吻》進行文本解構,詮釋這齣偶像劇如何從年輕觀眾的日常生活中,挪用與剽竊、選擇與組合文本的結構性元素,為年輕觀眾建構與再現寫實主義。 |
英文摘要 | The position of this research is that the study of television drama and trendy drama in Taiwan ignores textual analysis at present. Nevertheless, textual specificity is the key point to comprehend the popularity of television drama and trendy drama. It adopts ‘The Popular Arts Approach’ suggested by British researcher J. McGuigan, choosing The Kiss of Toast Man as the research case. The kiss of Toast Man was the remarkable trendy drama in the earliest embryonic stage that Taiwanese television station started self-producing this dramatic genre in 2001. This research deconstructs the text of The Kiss of Toast Man with three dimensions, including visual aesthetics, psychoanalysis, and cultural codes. Based on these dimensions, it interprets this trendy drama how to appropriate, plagiarize, choose and organize the structural elements of text from the everyday life of youth viewers, and how to construct and represent realism for them. |
本系統中英文摘要資訊取自各篇刊載內容。