查詢結果分析
來源資料
頁籤選單縮合
題 名 | 試論「碾玉觀音」的寫實精神=Comments on the Realism of "Nean-Yuh Guan-in" |
---|---|
作 者 | 董淑玲; | 書刊名 | 環球商業專科學校學報 |
卷 期 | 5 1998.01[民87.01] |
頁 次 | 頁37-41 |
分類號 | 827.2 |
關鍵詞 | 話本; 碾玉觀音; 寫實主義; Huah-Been; Nean-Yuh Guan-In; Realism; |
語 文 | 中文(Chinese) |
中文摘要 | 小說發展至宋明之世,以「話本」與「擬話本」為主流,其內容與形式都與前朝 的「傳奇」截然不同。因應說話人的需求,除了文字敘述淺顯易懂,走出了文言的窠臼外, 寫實精神的普遍運用也是前所未有的。本篇論文即透過社會面與人性面的觀察,來分析(碾 玉觀音)的寫實精神,並藉以印証話本所特有的寫實色彩。 |
英文摘要 | The novel till the Song and Ming dynastys had developed a new form called "Huah-Been" and "Nean Huah-Been", and set the trend. The content and form of the Huah-Been are totally different from those of Chwan-Shyi. For the needs of the Huah-Been tellers, the words used in Huah-Been are explict and simple which had broken the stereotype of Wen-Yan, and it also set a precedent that realistic methods were largely adopted in Huah-Been. This article is to analyze the realistic style in "Nean-Yuh Guan-In" from the view of the socialty and human nature aspects, and to verify that the realistic style is the unique feature of Huah-Been. |
本系統中英文摘要資訊取自各篇刊載內容。