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頁籤選單縮合
題 名 | The Metadramatic Inner Play in Richard Brome's the Antipodes=伯若姆「對蹠地」中之後設劇中劇 |
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作 者 | 蔣筱珍; | 書刊名 | 中山人文學報 |
卷 期 | 19 民93.冬 |
頁 次 | 頁57-69 |
分類號 | 984.5 |
關鍵詞 | 對蹠地; 理查•伯若姆; 理查•洪恩比; 後設戲劇; The antipodes; Richard brome; Richard hornby; Metadrama; |
語 文 | 英文(English) |
中文摘要 | 英國文藝復興時期之劇作家理查.伯若姆所著之《對蹠地》(1638)是一齣旅遊喜劇,本論文討論該劇具有「後設戲劇」之特質,亦即該劇是一齣討論戲劇的劇本。《對蹠地》的主要劇情發展呈現在「劇中劇」中,我們看到演員、導演/編劇者很清楚知道他們在表演一齣戲,他們不停地張羅演出的道具、服飾,討論演出的問題和技巧,將後台真實情景全部呈現。再者,「劇中劇」之外的舞台上的演員觀眾也相互批評討論所觀賞的「劇中劇」。簡言之,《對蹠地》以舞台劇演出之現實層面摧毀戲劇呈現真實人生的迷思。 |
英文摘要 | Richard Brome’s The Antipodes (or, The World Upside Down) (1638), a Renaissance travel play, can be viewed as a metadrama, which is a play about plays. The main part of The Antipodes includes a play within the play, wherein actors and the director/playwright are aware that they are performing a play and keep discussing the making of the said play. Moreover, the on-stage audience keeps commenting on the acting of these players. Dramatic “realism” is repeatedly undermined by theatrical practices. |
本系統中英文摘要資訊取自各篇刊載內容。