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頁籤選單縮合
題 名 | Hamlet: Shakespeare at Metaplay=「哈姆雷特」:莎翁的後設遊戲 |
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作 者 | 邱錦榮; | 書刊名 | 國立臺灣大學文史哲學報 |
卷 期 | 51 1999.12[民88.12] |
頁 次 | 頁223-225+227-253 |
分類號 | 841.83357 |
關鍵詞 | 莎士比亞; 哈姆雷特; 後設遊戲; 後設劇場; 後設戲劇; Shakespeare; Hamlet; Metaplay; Metatheater; Metadrama; |
語 文 | 英文(English) |
中文摘要 | <哈姆雷特>是莎翁戲劇中評論匯聚最多的作品,相形之下,也是莎劇裡負擔最沈重的一齣,它不但是各種批評方法操練演繹的試金石,劇中主人翁哈姆雷特王子也蒙上憂鬱神密的哲學色彩。自六○年代起,歐美學界興起後設批評的風潮,舉凡小說、戲劇、甚至文學批評本身都形成自我觀照,審視自身文類的閱讀策略。個人發現援用後設戲劇的批評角度可以化繁為簡,將莎劇回歸它的應屬之地--劇場,特別是莎翁一生合作最久,為之量身定作多齣傳世名劇的「環形劇院」。後設劇場刻意「自暴其短」,把戲劇的虛擬性質原原本本呈現在觀眾眼前,本此初衷,後設戲劇致力於鬆動舞臺幻象,進行「人生如戲」抑或「戲如人生」的辯證。本文藉<哈>劇文本與當時劇場生態的交叉分析,嘗試解決劇本若干懸宕已久的問題,例如王子一再延遲復仇大計,看似與劇情發展無關的冗長獨白,以及他實際的年齡與氣質不符等疑點。 |
英文摘要 | Since 1960s meta-discourse has become an important approach to literary works of various genres. Lionel Abel, a pioneer of meta-strategy in the field of drama, has pointed out a common character in what he terms as "metaplays": "All of them are theater pieces about life seen as already theatricalized." Embedded in this notion is the idea of theater as self-exposure, exposing its theatricality to its audience and thus distablizes stage illusion. Beginning with a brief survey of Shakespeare-oriented metadramatic criticisms, this essay aims to situate Hamlet in The Globe where the Bard created the most powerful roles including Hamlet, King Lear, and Othello and where he must have moved most easily. The essay traces the rich theatrical aspects of Hamlet as an alternative model for describing the over-charged play. Predicated on theater's self-referentiality, the paper proposes an alternative view to look at a few problems of the play which have, thus far, not been settled down, particularly Hamlet's procrastination, his frequent appeal to soliloquies, discredited by T. S. Eliot as "in excess of the facts as they appear", and, last but not least, his real age: Shakespeare is therefore seen as a playwright who has constant anxiety about the deficiencies of the theater, which underscores, on the contrary, his strengths in dealing with his working medium, be it the black and white printed pages or the more colorful boards of stage. |
本系統中英文摘要資訊取自各篇刊載內容。