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頁籤選單縮合
題 名 | Role-playing Games in David Henry Hwang's M. Butterfly=黃哲倫《蝴蝶君》的角色扮演遊戲 |
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作 者 | 林世君; | 書刊名 | 新竹教育大學人文社會學報 |
卷 期 | 4:2 2011.09[民100.09] |
頁 次 | 頁81-109 |
分類號 | 874.55 |
關鍵詞 | 角色扮演; 後設戲劇; 身份認同; 面具; Role-playing within the roles; Metatheatre; Identity; Mask; |
語 文 | 英文(English) |
中文摘要 | 本文針對黃哲倫《蝴蝶君》的角色扮演遊戲進行分析,探討劇中主角如何扮演多重角色來拆解劇場幻象。當二位主角揭穿其層層假面具的同時,劇中主角對東西方和男女的誤解也一併被揭露。劇終,宋始終無法認清他/她在現實和其面具間的差異;加利瑪則未能忍受面具下的謊言,而選擇以新的角色扮演來結束生命。 |
英文摘要 | This paper examines the role-playing games presented in David Henry Hwang's M. Butterfly. First, the idea of "seeing double" in metatheater is studied. Then, the role-playing games the two protagonists construct in M. Butterfly are carefully analyzed. I found that both Gallimard and Song mask themselves and role-play accordingly. In Gallimard's game, he self-consciously plays several roles: an actor, a spectator, and a narrator. His multiple roles create layers of "seeing double" and successfully break the theatrical illusion. While Gallimard shifts among the roles, Song acts out several roles which s/he purposely and consciously identifies with. In addition, both of them also try to role-play in life. The difference is that Song role-plays consciously while Gallimard unconsciously self-deludes himself in his mask of Pinkerton, the wicked West in the story of Madame Butterfly. In the end, Song fails to acknowledge the incongruities between her/his masks and the reality. Gallimard cannot stand the lies hiding behind his lover's mask and chooses to end his life in a new mask. |
本系統中英文摘要資訊取自各篇刊載內容。