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題 名 | 創造力VS.中國書法=Creativity VS. Chinese Calligraphy |
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作 者 | 李慧芳; | 書刊名 | 朝陽設計學報 |
卷 期 | 2 2001.12[民90.12] |
頁 次 | 頁67-87 |
分類號 | 942 |
關鍵詞 | 創造力; 中國書法; Creativity; Calligraphy; Chinese art of writing; |
語 文 | 中文(Chinese) |
中文摘要 | 本文試圖借用近代西方「創造理論」之研究成果,來審視中國漢字書法在創造力上的具體展現。屬於研究類論文,論文首先簡介西方研究「創造力」之進路(approach),然後依其中三個進路對照古典書法藝術中之作品、書法家及書寫(創作)過程,最後以圖示繪出漢字「書法」在「創造力」研究進路上可能的整體面貌。研究方法包括:文獻整理、;歸納、分析、對照與圖示統整。本文建議「書法」可成為滋養當代國人創造力的一種來自原生文化的獨特教材,謹提供教育界在設計教案時之參考。 |
英文摘要 | The aim of this paper is to examine the creative performance of Chinese calligraphy by adapting the Reccent Western theories in Creativity. It starts with the introduction of four approaches in researching the subject of creativity, among which three approaches are applied to compare the essence of Chinese calligraphy, including the approaches in examining the creative product, the process and the person. Finally, A whole-picture of Chinese calligraphy in researching creativity is presented for further exploration. It is suggested that Chinese calligraphy as a cultural rooted materials can be applied to foster creativity. |
本系統中英文摘要資訊取自各篇刊載內容。