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相關文獻
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題 名 | The Problem of Bakhtin's Poetics: A Reconsideration about How an Essential Bakhtinian Parody is Made=巴赫汀理論中戲擬文體之研究 |
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作 者 | 曾瑞華; | 書刊名 | 大漢學報 |
卷 期 | 12 1998.11[民87.11] |
頁 次 | 頁463-474 |
分類號 | 874 |
關鍵詞 | 巴赫汀; 戲擬文體; 對話理論; |
語 文 | 英文(English) |
中文摘要 | 巴赫汀的對話理論無論在現代文學或文化理論中都具有深刻的影響。然而,隨著 讀者反應理論的興起,巴赫汀在對話理論中所建構的架構也開始受到挑戰。本研究即以讀者 的立場巴赫汀的對話理論進行一場對話。文中以戲擬文體為切入點。指出隨著讀者不同的文 學解讀能力與歷史背景,戲擬文體所獨特具有的雙重視點的有效性也受到質疑。本文以作者 、讀者、與主角三方所可能構成的三種關係為基礎,揭示文本意義受讀者影響之深。然而, 本文亦於結論中指出,因讀者參與而對巴赫汀對話理論所產生的質疑事實上原隱含於巴赫汀 的對話理論中。故巴赫汀對話理論的精神反而在讀者的對話中得到驗證。 |
英文摘要 | The subjective perspective in epistemology has been discussed since the twentieth century. With the accompanied emergence of reader-oriented theories, a uni-interpretion partially and ahistorically from the literary point of view can not satisfy contemporary readers any more. Since the consideration of readers' participation is recognized to have shattered the stability of meaning, the way of how they change the interpretation must be studied. This research is to confront Bakhtin's poetics with the diversities of readers. With the three kinds of relationship among the author, character, and reader analyzed in this research, the validity of parody, Bakhitn's favorable literary mode featured by double visions, is proved to be precarious. Thus, though an exponent of dialogicism, Bakhtin's dialogic theory is also challenged by his readers dialogically. However, this research also points out in the conclusion, the increased third factor of readers is in fact an extension of Bakhtin's dialogic theory; and as it turns out, the theoretical problem provoked in this research echoes the open and unfinished nature essential in Bakhtin's poetics. |
本系統中英文摘要資訊取自各篇刊載內容。