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頁籤選單縮合
題 名 | 莎劇「表演評論」裡的文化觀察: 種族偏見如何影響「奧賽羅」的表演=Culture-Minded Performance Criticism in Shakespeare Studies: The Case of Othello and Racial Prejudice |
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作 者 | 謝君白; | 書刊名 | 中央研究院民族學研究所集刊 |
卷 期 | 84 1997.秋[民86.秋] |
頁 次 | 頁87-110 |
分類號 | 841.83362 |
關鍵詞 | 表演評論; 文化; 莎士比亞; 奧賽羅; 種族偏見; Performance criticism; Culture; Shakespeare; Othello; Racial prejudice; |
語 文 | 中文(Chinese) |
中文摘要 | 這篇論文希望把莎劇研究底下「表演評論」(performance criticism)這個新興的 領域介紹給社會科學界對表演研究感興趣的學者。除了對這個範疇裡主要研究路線作初步的 勾勒,本文將特別著意考察其中強調「文化觀察」的一類研究。論文的後半段並以 << 奧賽 羅 >> 的表演資料為素材,由文化觀察的角度切入,嘗試呈現一則這類研究的實例。作者並 就這類研究的關注、趣味、限制、以及一些方法上的困難提出省思。 |
英文摘要 | The field of Shakespearean performance criticism has seen a flowering of culture-minded studies in the recent decade. In viewing the meaning of performance as implicated in the dynamics of cultural life, such studies distinguish themselves from the more "essentialist" performance criticism which assumes the appeal of Shakespearean productions to be universal, stablized and ensured by the canon of the Bard. Although performance scholars coming from an anthropological background seldom give their attention to performances in the mainstream Western Theatre, it shall not be difficult for them to recognize a kindred spirit in this emergent variant of Shakespearean performance studies. This apaper presents a case study of the stage history of Othello, approached from a stance in line with the culture-minded Shakespearean performance criticism. "Racial prejudice" is singled out as the key variable under observation here, for the protean ways in which this variable manifests itself in different eras' productions of the classical text make a convenient case to illustrate how, in their attempts to explore the interplay of performance and culture, Shakespearean performance scholars may share many concerns and difficulties with scholars of cultural performances. |
本系統中英文摘要資訊取自各篇刊載內容。