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題名 | The Idyllic Country and the Modern City: Cinematic Configurations of Family in Osmanthus Alley[桂花巷] and the Terrorizer[恐怖分子] |
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作者姓名(外文) | Zhang,Yingjin; | 書刊名 | Tamkang Review |
卷期 | 25:1 民83.秋 |
頁次 | 頁81-99 |
分類號 | 987.92 |
關鍵詞 | 桂花巷; 恐怖分子; Configuration; Diachronic; Spatiality; Mapping; Patterns; Synchronic; Temporality; Axis; Narrative; Ideology; |
語文 | 英文(English) |
英文摘要 | This essay presents a kind of structuralist analysis of the configurations and transformations of the family, with respect to cinematic narrative patterns and ideology, in two Taiwan films of the 1980's. Set in the country, family life in Osmanthus Alley is depicted along a vertical axis (parent-son relationships) and has a diachronic structure, representing the autobiography of the woman protagonist. Set in the modern city (Taipei), family life in The Terrorizer is narrated on a horizontal axis (husband-wife) and has a synchronic structure: the film proceeds not temporally (diachronically) toward closure but by spatially mapping out the complex and fragmented personal relationships of the characters. The latter film especially has the effect of awakening the audience out of their habitual way of perceiving reality. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。