頁籤選單縮合
| 題 名 | 情理之間:尋找幽暗之光=In-between Qing and Li: In Search of the Dark Consciousness |
|---|---|
| 作 者 | 王德威; | 書刊名 | 東亞觀念史集刊 |
| 卷 期 | 23 2025.12[民114.12] |
| 頁 次 | 頁67+69-116 |
| 分類號 | 820.9 |
| 關鍵詞 | 戴震; 情理之間; 幽暗意識; 近三百年文學史; 抒情傳統; Zhen Dai; In-between qing and li; Dark consciousness; Chinese literary history over the past three centuries; The lyrical tradition of Chinese literature; |
| 語 文 | 中文(Chinese) |
| DOI | 10.29425/JHIEA.202512_(23).0002 |
| 中文摘要 | 本文以「情理之間」作為重探近三百年中國文學史的關鍵詞。 自先秦以還,「情」從何而起,「理」所為何來,一直盤踞文學 史、乃至思想史的提問。時至有清一代,處於王朝鋪天蓋地的文 字、思想鉗制、以及現代性轉折蠢蠢欲動之際,中國古典對「天 理」或「人欲」的理解,遭受前所未見的壓力。在此意義上,戴震 重新問題化「情理之間」的深度辯證,有其劃時代的意義。本文以 「戴震時刻」作為近世中國文學史的重要分水嶺,並以追蹤這一時 刻在歷史上的重返為經緯,闡釋有清、民國,與共和國三百年來文 學的承衍變化。基於對情理互動的反思,本文主張在既有的啟蒙與 革命論述之外,另外提出解釋中國現代性起源暨路徑的方法:「情 理」的傳統。並從「情」/「理」之間,發掘「幽暗意識」。 |
| 英文摘要 | By tracing the tension between qing 情 (emotion, sentiment, or affect) and li 理 (principle, coherence, or rationality), this essay reconsiders a set of key concepts that have shaped Chinese literary history over the past three centuries. Since early China, questions concerning the origins of qing and the meaning of li have remained central to both literary and intellectual inquiry. In the Qing dynasty, an era marked by pervasive imperial censorship and the early stirrings of modernity, traditional understandings of “heavenly principle” (tianli 天理) and “human desire” (renyu 人欲) came under unprecedented strain. Against this backdrop, Zhen Dai’s re-problematization of the dialectic between qing and li marked a turning point of profound significance. This essay identifies this “Zhen Dai moment” as a crucial watershed in Chinese literary history and traces how later writers and thinkers—from the Qing through the Republican and People’s Republic eras—returned to this moment as an intellectual and affective resource for negotiating the relationship between qing and li. Grounded in a reflection on this interaction between emotion and principle, the essay seeks an alternative to the conventional narratives that frame Chinese modernity through the dialectic of enlightenment and revolution. It proposes instead that Chinese modernity may be understood through a different genealogy: one rooted in a lyrical exegesis of qing and li and a discourse of dark consciousness. |
本系統中英文摘要資訊取自各篇刊載內容。