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| 題 名 | 教師在刺繡活動中引導幼兒自主學習的美感教育實踐探究=Exploring Teachers' Aesthetic Education Practices in Guiding Young Children's Self-Regulated Learning through Embroidery Activities |
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| 作 者 | 陳艾竹; 林佩蓉; | 書刊名 | 市北教育學刊 |
| 卷 期 | 76 2025.12[民114.12] |
| 頁 次 | 頁95-140 |
| 分類號 | 180.3 |
| 關鍵詞 | 幼兒自主學習; 美感教育; 刺繡活動; 教師引導; 學習區課程; Self-regulated learning in early childhood; Aesthetic education; Embroidery activity; Curriculum for learning areas; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 本研究以教師引導為主軸,並以幼兒在刺繡活動中的自主學習歷 程為分析方向,探討美感教育實踐如何誘發與形塑幼兒的動機啟動、 策略運用與反思修正。研究目的聚焦於:(一)描繪教師在課室情境 中引導幼兒自主學習與美感發展的教學策略與歷程;(二)探討環境 與材料配置對幼兒創作參與、感知覺察與策略運用的影響;(三)詮 釋教師在美感教育中專業角色與信念的轉化歷程;(四)分析創作後 賞析與反思階段中,教師引導方式及幼兒的學習回饋。研究採質性個 案研究法,於北部一所公立幼兒園的大混齡班進行三個月的課室觀察, 並輔以半結構式訪談與文件及作品蒐集。研究對象為 6 名 5–6 歲幼兒 與 1 名教師,並以「師幼互動情節」作為主題分析的核心材料。研究 結果顯示,教師透過開放式提問、延宕介入、分段鷹架及差異化支持, 引導幼兒在探索、調整、反思之歷程中形成策略循環。縫工區的環境、 材料與展示提供可視化反思線索,強化幼兒的感官覺察、持續參與和 審美語言的形成。創作賞析與同儕互動推動幼兒的自我評估與作品修 飾,而教師的專業信念亦由「控制—介入」逐步轉向「觀察—信任」。 本研究建議可採「初探—創作—修正—賞析」的螺旋式架構,並透過 材料層次化與歷程型評量支持幼兒的美感與自主學習歷程。同時,建 議增強教師的美感引導語及差異化支持,並善用觀議課或短錄影作為 專業省思的回饋工具。後續研究可探討不同刺繡材料的特質,或擴大 至不同年齡脈絡進行驗證。 |
| 英文摘要 | This study centers on teacher guidance and children’s autonomous learning performance, exploring how aesthetic education practices in embroidery activities initiate and shape such learning processes. It examines key aspects such as motivation activation, strategy use, and reflective adjustment. The study focuses on four objectives: (1) teaching strategies and instructional processes, (2) the influence of the environment and materials, (3) transformations in teachers' professional beliefs, and (4) learning feedback derived from post-creation appreciation and reflection. A qualitative case study design was employed. The research was conducted over a three-month period in a mixed-age class (senior kindergarten level) at a public kindergarten in northern Taiwan. Data were collected through classroom observations, semi-structured interviews, and analysis of documents and artifacts. Thematic analysis was applied to teacher–child interaction episodes involving six children aged 5–6 and one teacher. The findings indicate that the teacher facilitated children’s strategic learning cycles across exploration, adjustment, reflection by employing open-ended questioning, delayed intervention, staged scaffolding, and differentiated support. The embroidery learning area, through the integration of environment, materials, and displays, provided visual reflective cues that enhanced sensory awareness, sustained engagement, and fostered the development of aesthetic language. Creative appreciation and peer interaction further promoted self-assessment and refinement of the children’s work. Additionally, the teacher’s professional beliefs shifted from a “control–intervention” orientation to an “observation–trust” approach. Based on these findings, the study proposes the development of a spiral curriculum that includes initial exploration, creation, revision, and appreciation. It also recommends implementing layered materials and process-oriented assessments. Additionally, the study suggests enhancing teachers’ use of aesthetic guiding language and providing differentiated support, as well as promoting professional reflection through peer observation and short video-based feedback. Future research could further investigate the properties of embroidery materials and expand validation across various age groups and educational contexts. |
本系統中英文摘要資訊取自各篇刊載內容。