頁籤選單縮合
| 題 名 | 鹽漬莓果:今日町子漫畫重憶/重譯的女性二戰記憶=Salted Berries: The Remembrance and Reinterpretation of Women's WWII Memories in Kyō Machiko's Comics |
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| 作 者 | 陳安文; | 書刊名 | 臺灣東亞文明研究學刊 |
| 卷 期 | 22:1=43 2025.06[民114.06] |
| 頁 次 | 頁111-152 |
| 分類號 | 947.41 |
| 關鍵詞 | 今日町子; 民眾史; 戰爭漫畫; 沖繩戰役; 長崎原爆; 今日マチ子; Kyō Machiko; People's history; War comics; Battle of Okinawa; Atomic bombing of Nagasaki; |
| 語 文 | 中文(Chinese) |
| DOI | 10.6163/TJEAS.202506_22(1).0007 |
| 中文摘要 | 漫畫作為影像與文字複合的文藝文本,以人物群像、對白與圖像框格 作為敘事媒介,在描繪歷史、戰爭題材上,同時帶有具象性(圖像)及虛 構性(角色對白)兩種元素,與正史敘述必然有所不同,具有成立「野史 敘事」的潛力,其中今日町子(今日マチ子)千禧年後的二戰漫畫即為顯 著 案 例 。 本文 將 以 今日 町 子 描 繪沖 繩 戰 「姬 百 合 學 徒隊 」 的 漫畫 《cocoon》、與描繪長崎原爆的《天堂》(《ぱらいそ》)為分析對象, 觀察千禧年後,戰後世代創作者如何以自身所處時代的社會脈絡,對前人 戰爭經驗進行「重新體驗」、並對其表示哀悼。本文將對兩部漫畫進行文 本分析,觀察今日町子著重的「少女」、「非日常」、「異托邦」等創作 主軸,重新梳理兩篇作品如何運用戰後的「記憶/哀悼政治」,建立起 「女性野史敘事」的定位。最後,本文也將嘗試把今日町子重造的新世代 沖繩敘事、與四〇年代的「姬百合傳說」文藝作品進行比對,觀察今日町 子的敘事策略中,對「史實」的接受、依賴程度,以及其戰爭漫畫創作的 重要性。 |
| 英文摘要 | Comics use visualized characters, dialogues, and frames as narrative media. When portraying historical subjects, it carries both the concreteness of images and the fictionality of characters' dialogues, setting it apart from official historical accounts and giving it the potential to create 'alternative narratives.' A notable example of this is the war comics presented by Kyō Machiko (今日マチ子). This paper examines two of Kyō Machiko's war comics: Cocoon (2009-2010), depicting the 'Himeyuri Student Nurses' in the Battle of Okinawa, and Paraiso (2015), portraying the Nagasaki atomic bombing, to observe how postwargeneration female artists reinterpret and mourn wartime experiences within their contemporary social contexts in the post-millennial era. Through textual analysis of these two comics, this paper explores Kyō Machiko's focus on three specialized themes: 'girl’s war perspectives,' 'anti-daily lives,' and 'war heterotopias,' and examines how the comics employ the politics of memory and mourning, to establish the unique women’s/post-war generation’s alternative narrative. Finally, the paper attempts to compare Kyō Machiko’s reconstructed Okinawan Campaign narrative with the literary works of the existing ‘Himeyuri Student Nurses’ novels and memoirs in post-war Japan and Okinawa, analyzing how Kyō Machiko engages with the main historical accounts and facts in her alternative narrative strategies and the significance of her contribution to Japan war comics. |
本系統中英文摘要資訊取自各篇刊載內容。