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| 題 名 | 生產空間的再生產:博物館牆外藝術實踐之探討=Reproduction of the Delivery Room: A Discussion of Site-specific Art Practices out of Museum |
|---|---|
| 作 者 | 侯儀芬; | 書刊名 | 博物館與文化 |
| 卷 期 | 27 2024.06[民113.06] |
| 頁 次 | 頁165-190 |
| 分類號 | 901 |
| 關鍵詞 | 生育; 特定場域; 陰性空間; 擬仿; 陰性書寫; Fertility; Site-specific; Chora; Mimesis; Feminine writing; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 本文敘述作者闖入一個婦產科的手術室,利用作品進入難以說明、混混 瀝瀝的母子共存空間;在展覽空間和母親相遇,建立新的倫理與認同後,作 者參加旗津城市劇場《食物與遷徙》演出,由食物談及母親、家族遷徙,回 應自己和家、土地和族群的關係。 從婦產科-女性-母子共同空間,到旗津,涉及到作者跟他人之間的生 命故事和公共議題,其中空間可以是文本、身體的,也可以是有實體的地理 位置,譬如家、社區、國。同樣女性可以是被父權體制排斥的無名身分,也 可以是擁有多重流動的特質,在不同文化空間遷徙的個體。 在特定場域「婦產科」,經由自身女性的覺醒,透過書寫自己身體,產 出陰性特質的多重流變、擬仿與可適應性,其所做的藝術創作,可視為「陰 性空間」與「陰性書寫」的理論實踐型創作文本。 |
| 英文摘要 | This article describes the author's intrusion into a delivery room, having stumbled into a space of mother-child coexistence. After meeting the “mother” in the exhibition space and establishing a new ethic and identity, the author participated in the "Food and Migration" theater performance in Cijin. The performance explored the intersection of food, motherhood, and family migration, while addressing her relationship with her home, land, and ethnicity. From gynecology to the shared space of the mother-child relationship, to life in Cijin, the study involves the life stories and public issues of the author and others. This sharing of experiences makes the point that spaces can be textual, physical, or actual geographical locations such as homes, communities, and countries. Similarly, women can be an invisible entity, excluded by the patriarchy, or they can possess the qualities of multiple movements, as individuals migrating in different cultural spaces. In the specific fields of obstetrics and gynecology, through the author's feminine awakening, the artistic creation of “writing one's own body” produces feminine traits such as multiple transformations, mimesis, and adaptability, which can be viewed as the theoretical creative texts of "chora" and "feminine writing." |
本系統中英文摘要資訊取自各篇刊載內容。