頁籤選單縮合
| 題 名 | 抗戰時期的澳門演劇活動述評=A Review of Macau's Theatre Activities during the War of Resistance against Japanese Aggression |
|---|---|
| 作 者 | 黃子祺; | 書刊名 | 行政:澳門公共行政雜誌 |
| 卷 期 | 37:1=143 2024.03[民113.03] |
| 頁 次 | 頁189-195+513-514 |
| 分類號 | 982.7 |
| 關鍵詞 | 抗戰時期; 澳門; 演劇活動; 文化抗戰; 劇團; |
| 語 文 | 中文(Chinese) |
| 英文摘要 | During the war against Japanese invasion period, Macau's theatre scene showed a peculiar prosperity and Macau's Mandarin Chinese drama was formally born. Drama Troupes that rose to prominence in Macao during this period included the Arts Alliance Drama Troupe, the Cantonese Drama Group of the China Brigade Drama Troupe, the Storm Theatre Company, and the Chinese Arts Drama Troupe, amongst others. The Chinese Brigade Drama Troupe performed two historical dramas in Macao in August 1939, Wu Zetian, which was a sensation. The Storm Theatre Company went to Guangxi for resistance propaganda, and the anti-Japanese drama group Arts Alliance Theatre Troupe was established in 1942, which was the first professional drama group in Macau's drama history, and performed Thunderstorm, Sunrise, Wu Zetian, The Lady of The Camellias, and Hatefulness at the End of the Ming Dynasty, etc. The Chinese Arts Drama Troupe was established in 1943, and the Zhongliu Theatre Troupe was set up in 1944. Founded in 1943, the Chinese Arts and Chinese Flow Troupe performed plays such as Shen Fu's The Golden Jade and Guo Moruo's The Peacock's Guts. The professional troupes elevated the artistic level of Macau's theatre performances, and profoundly aroused the consciousness of the people of Macau in their struggles. The successive founding of the Federation of Arts, the China Arts and the China Stream represented the maturity of Macau's theatre performances, and reflected the sincerity of literary figures in the struggle against the war and for the salvation of the country. The activities of Macau's theatre troupes during this period were different from those in the Mainland and other overseas Chinese regions, in that Macau's theatre troupes and theatre performances could not directly propagate "resistance against the Japanese and salvation of the country", and could only be carried out in the form of fund raising and relief. The national crisis, as a special foundation for the prosperity of theatre troupes, was both strong and fragile, and when the crisis lifted, the troupes were divided, so that after 1945, with the return of the population and the resumption of the cinema industry, the professional theatre troupes ceased to flourish in Macau, and eventually disbanded and disappeared altogether. The emergence of theatre troupes and the flourishing of theatre activities during the war against Japanese invasion period represent a special stage of transition and transformation in Macau's theatre, and the 1930s and 1940s have become an important part of the development of Macau's theatre. |
本系統中英文摘要資訊取自各篇刊載內容。