頁籤選單縮合
| 題 名 | 日本江戶時代的彩色畫報--浮世繪木刻版畫的庶民藝術價值=Colored Painting in the Edo Period--Local Artistic Value of Woodblock Prints |
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| 作 者 | 周佩文; | 書刊名 | 國立歷史博物館學報 |
| 卷 期 | 53 2016.07[民105.07] |
| 頁 次 | 頁4-23 |
| 分類號 | 946.148 |
| 關鍵詞 | 日本文化; 江戶時代; 浮世繪; Japanese culture; Edo period; Woodblock print; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 日本文化中之繪畫藝術經歷了平安時代創造的「大和繪」,室町時代引進中國水墨畫的「禪畫」,安土‧桃山時代流行的「屏風畫」、「隔扇畫」等發展階段後,到了江戶時代又完成了木刻版畫的日本化,誕生了純日本式的「浮世繪」木刻版畫,大大地豐富了日本自古以來繪畫藝術的寶庫。 本文擬從江戶時代獨特的庶民藝術代表─「江戶風俗版畫浮世繪」(以下稱浮世繪)的發展過程中以美人畫及風景畫為主題,簡述其重要代表畫師之生平及繪畫特徵,期使讀者在觀賞過程中對「浮世繪」的風格變化、細膩技法的呈現及繪畫裡所表現出的文化型態、風俗習慣、季節變化等內容中瞭解其意涵後進而具備基本鑑賞知識後,便能以更寬廣的視角來欣賞其妙趣之所在。 |
| 英文摘要 | The painting art of Japanese culture experienced from the Yamoto-e in the Heian period, the imported Chinese ink Zen painting in the Muromachi period, the folding screen painting in the Azuchi-Momoyama period, to the localized woodblock print in the Edo period. The development of woodblock print presents a pure Japanese style, enriching Japanese art treasury. The purpose of this article is to state the developmental process of the unique local representative artwork, woodblock print in Bijin-ga and Japanese landscape. This article also aims to briefly point out some important painters' biology and their painting characters in the hope of making readers understand the uniqueness of Japanese woodblock prints' changing procedure of its production and techniques. By understanding the background knowledge of the cultural types, traditional customs and changing seasons in the pictures of woodblock print, readers can realize its amazement and interest from a broader angle. |
本系統中英文摘要資訊取自各篇刊載內容。