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題 名 | 澳門文學生態與“冬春軒體”的生成=Macau Literary Ecology and Dong Chun Xuan Style's Formation |
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作 者 | 戎琦; | 書刊名 | 澳門研究 |
卷 期 | 2014:1=72 2014.03[民103.03] |
頁 次 | 頁107-111+198 |
分類號 | 820.9282 |
關鍵詞 | 澳門文學; 澳門雜文; 冬春軒; 三及第; 小品文; Macau literary; Macau essay; Dong Chun Xuan; Essay; Saam Kap Dai; |
語 文 | 中文(Chinese) |
中文摘要 | 冬春軒居澳以來,創造出一種別具一格的雜文文體“冬春軒體”。這種文體偏重於社 會批評和文化批評,追求文言、白話、粵語方言“三及第”的混雜體語言;“冬春軒體”的知識 小品基因,章回小說、戲曲的神韻以知識性、趣味性、諧謔幽默沖淡了雜文本該有的批判性,增 強了雜文的可讀性。“冬春軒體”雜文不以鞭闢入裏的剖析、深刻的思想洞見和強力批判性取 勝,而以其獨特的文體創製,彰顯了澳門雜文的特殊風采。這種雜文體的生成與澳門文化溫和、寬 容的品格,澳門文學自由、隨性、邊緣化的文學生態和澳門受眾的需求息息相關。 |
英文摘要 | Since he lived in Macau, senior writer Dong Chun xuan has gradually created a unique essay style we call “Dong Chun xuan style”. This style’s features are: social criticism and cultural criticism combining classical Chinese, modern vernacular, Cantonese in a language known as “saam kap dai”; conversation, humour, knowledge, enjoyment, beginning or ending with verse. These knowedgable essay, feature, something like Zhanghui novel and traditional (Chinese) opera’s charm, make the critical essay more mild and enhances readability. It does not provide a penetrative analysis, profound thoughts, and intense criticalness, but its unique creative style, makes Dong Chun xuan style’s distinctive in modern Chinese essay tradition, and reveals Macau essay’s individual character. Dong Chun xuan style’s formation is closely bound up with mild and tolerant Macau culture, free and casual Macau literary ecology, and Macau audience needs. |
本系統中英文摘要資訊取自各篇刊載內容。