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| 題 名 | 文情、詩韻與史筆--論《桃花扇》中孔尚任對侯方域詩文的借拈與改作=Discussion on the Derivative of Hou Fang-Yu's Poems and Writings in Kong Shan-Ren's The Peach Blossom Fan |
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| 作 者 | 林芷瑩; | 書刊名 | 成大中文學報 |
| 卷 期 | 51 2015.12[民104.12] |
| 頁 次 | 頁189-222 |
| 分類號 | 822.5 |
| 關鍵詞 | 桃花扇; 侯方域; 孔尚任; 李香君; 左良玉; The Peach Blossom Fan; Hou Fang-Yu; Kong Shan-Ren; Li Xiang-Jun; Zuo Liang-Yu; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 孔尚任創作《桃花扇》,自言乃「考確時地,全無假借」,更作〈考據〉一文以示讀者,其中劇中主角侯方域本人的文字多篇是孔氏創作時的重要參考材料。本文試圖以侯方域的作品作為理解《桃花扇》的鑰匙,著重於〈李姬傳〉、〈贈人〉詩與〈左寧南傳〉等篇章,分析孔尚任如何在去、取與改作之間,寄寓其在文字之外的深意。 |
| 英文摘要 | Regarding the writing, The Peach Blossom Fan, Kong Shang-Ren self-stated that “the time and places were investigated, and there was no loan” and wrote Textual Criticism to express to the readers. Several texts of the character Hou Fang-Yu were the key reference for Kong’s writings. This study intends to comprehend The Peach Blossom Fan with Hou Fang-Yu’s works as the key and focusing on Li Ji Zhuan, Gifts, and Zuo Ning-Nan Zhuan to analyze how Kong Shang-Ren implied the meaning beyond writings among rejection, acceptance, and derivative. |
本系統中英文摘要資訊取自各篇刊載內容。