查詢結果分析
來源資料
相關文獻
- 我心聲處--以西西〈家族日誌〉的女性角色為例
- Eileen Chang[張愛玲], Woman's Film, and Domestic Culture of Modern Shanghai
- 石磬和明珠--我解讀西西的詩
- 書寫香港--王安憶、施叔青、西西的香港故事
- 歷史想像與文化身分的建構--論西西的《飛氈》與董啟章的《地圖集》
- 從余非筆下的「香港」回溯西西及巴爾加斯.略薩的小說
- 五位香港作家相關研究資料目錄
- "通識"、"另類現實觀"與社會抗爭--1986香港JWMI潮中辯證及踐行的類幾何學
- 「可以向你溫柔地說不嗎?」--後現代/後殖民/女性主義的性慾對話:從「婚內強姦豁免權」論爭審視香港強姦法律
- 西西《我城》中以空間為中心的香港想像與方式
頁籤選單縮合
題 名 | 我心聲處--以西西〈家族日誌〉的女性角色為例=Voice in My Heart: Taking Female Roles in Xixi's Family Diary as Example |
---|---|
作 者 | 林沛玟; | 書刊名 | 藝見學刊 |
卷 期 | 9 2015.04[民104.04] |
頁 次 | 頁67-80 |
分類號 | 544.5 |
關鍵詞 | 西西; 家族日誌; 女性心理學; 女性主義; 香港; Xixi; Family diary; Female psychology; Feminism; Hong Kong; |
語 文 | 中文(Chinese) |
中文摘要 | 西西筆下的女性,不論處在哪一個生存環境中,都能努力認真的工作與生活,勇於征服命運,憑藉自己的能力立足於社會,從而樹立起女性的獨立品格,亦展現出不同於男性作家的女性視角。但在其短篇小說〈家族日誌〉中的女性卻不是如此,她們雖嘗試著擺脫命運的束縛,卻征服不了它,只能一味壓抑自己的想法,痛苦卻無法言說。因此,本論文將以〈家族日誌〉之中的女性角色為主,輔以女性心理學及女性主義的觀點,探討在1960年代經濟持續發展的香港社會中,底層女性的心聲與處境,以及西西透過何種書寫手法,去關心與傾聽她所處、所鍾愛的香港。 |
英文摘要 | The female roles, which were created by Xixi, were industrious in works and lives. They against fate and existed on the community by their abilities, so the female independent characters in her fictions were established. Also, the female perspective which differs from male writers was shown. However, the female in the short fiction Family diary were not so. Although they tried to against fate but failed, and they had to constrain their thoughts and suffered from pain but cannot utter a word. The perspectives of Female psychology and feminism are used to dissect the female roles in Family diary, in order to realize the bottom females who lived in economic developing Hong Kong community in 1960s. Moreover, it was illustrated that how Xixi wrote Hong Kong-which the place she concerned, stayed and loved. |
本系統中英文摘要資訊取自各篇刊載內容。