查詢結果分析
來源資料
頁籤選單縮合
題 名 | Eileen Chang[張愛玲], Woman's Film, and Domestic Culture of Modern Shanghai |
---|---|
作 者 | Fu, Poshek; | 書刊名 | Tamkang Review |
卷 期 | 29:4 民88.夏 |
頁 次 | 頁9-28 |
專 輯 | The Cinematic/Traumatic Cities |
分類號 | 987.92、987.92 |
關鍵詞 | 張愛玲; 上海; 女性主義; 中國電影; 香港電影; 太太萬歲; Eileen Chang; Modernity; Domestic Culture; Women's Stories; Shanghai; Cinema; Gender; Romance; |
語 文 | 英文(English) |
英文摘要 | Eileen Chang did not get involved in cinema until 1947 and then only when she was driven to do so by political and financial necessities. In that year she wrote two scripts, but only one film, Taitai wansui, survives today. Between 1957 and 1964, struggling to get by in the U.S. without a regular income, she wrote a total of eight scripts for Hong Kong's MP & GI Company. From these ten film texts, Taitai wansui, which was written in postwar Shanghai, has been recognized as giving the strongest expression to Chang's familiar themes of domestic conflicts and human frailties. This essay will therefore focus on Taitai wansul to explore the ways in which Chang used a popular cultural medium to project her ideas regarding the domestic culture of Shanghai's middle-class women, focusing on the home, romance, marriage, sentiment, and family relations. By placing women's stories at the center of film, and presenting them in comic form, she created a new genre in Chinese (and Hong Kong) cinema, which had been dominated since the 1920s by anti-imperialist nationalism and social didacticism. |
本系統中英文摘要資訊取自各篇刊載內容。