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題 名 | 院線紀錄片再媒介化之媒介化分析:以【看見臺灣】經驗為例=The Mediatization and Remediation of Cinema- Released Documentaries: A Case Study of [Beyond Beauty--Taiwan from Above] |
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作 者 | 曹琬凌; | 書刊名 | 傳播研究與實踐 |
卷 期 | 5:2 2015.07[民104.07] |
頁 次 | 頁121-153 |
分類號 | 987.84 |
關鍵詞 | 再媒介化; 使用者經驗; 院線紀錄片; 媒介化; 媒介邏輯; Remediation; User experience; Cinema-released documentaries; Mediatization; Media logic; |
語 文 | 中文(Chinese) |
中文摘要 | 紀錄片曾是臺灣民主化進程之重要文類,近年卻顛覆另類、小眾性格,紛紛上戲院商業映演並召喚大眾,如【看見臺灣】創兩億元票房,即在社會形成巨大擾動。本文以此個案,討論紀錄片再媒介化歷程,以媒介化理論為分析架構,從媒介化研究制度論與社會建構論兩項傳統出發,視媒介為影響人們日常生活的廣泛效應;一方面分析符合最大公約數的媒介邏輯;二方面剖析空拍紀錄片將「真實」再媒介化,並且新舊媒介混搭所帶來使用者整體經驗。 |
英文摘要 | Documentaries tend to be considered as alternative, without cinema release, as they have played the pivotal role in the democratization process of Taiwan. Circumstances seem to change, as quite a few domestic documentaries did enjoy greater viewership via mainstream cinema release, just like popular movies. This paper explores this new development in domestic documentaries with a case study of [Beyond Beauty-Taiwan from Above], the commercially successful documentary. Drawing on mediatization theory, the author focuses on the remediation of documentaries and examines the related media impacts and effects on politics, economics and social life. The paper concludes that a hybrid use of old and new media technologies inevitably creates brand new user experiences in the production of documentaries. |
本系統中英文摘要資訊取自各篇刊載內容。