頁籤選單縮合
題 名 | 由微觀陳達《思想起》看臺灣民歌的「再創造」=Re-creation in Taiwanese Folk Song--A Micor-analysis of Chen Da "Sixiangqi" |
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作 者 | 翁志文; 鄭德淵; 辛玫芬; 蔡素娟; | 書刊名 | 南藝學報 |
卷 期 | 8 2014.06[民103.06] |
頁 次 | 頁157-176 |
分類號 | 913.52 |
關鍵詞 | 臺灣民歌; 即興唱法; 思想起; 再創造; 歌詞; Folk song; Improvisation; Recreation; Lyrics; Sixiangqi; |
語 文 | 中文(Chinese) |
中文摘要 | 臺灣傳統民歌在傳播的過程中,同一首民歌常因「即興唱法」的運用,出現曲調方面的變異;以《思想起》一曲為例,即有超過50 種以上的唱法。因此,「即興唱法」的運用方法和模式,十分值得探討。本論文以陳達所唱《思想起》為對象,透過語音學中常用的聲學分析軟體Praat,由微觀角度分析傳統民歌的歌者,如何藉由「即興唱法」,改變唱法和歌詞的手法,致使民歌具有獨特的「再創造性」,使之產生變異,並因而創新。 |
英文摘要 | Improvisation is likely to change the tune of a folk song during the process of transmission, and consequently, a folk song may appear various versions. For example, there are more than 50 versions of 'sixiangqi' existing in Taiwan; however, improvisation has not yet been fully discussed in respect of its method and patterns in Taiwanese folk song. This paper aims to illustrate how improvisation 're-creates' the tune of a folk song by analyzing the tune and its relation to the lyrics in Minnan. Therefore, we look at how the idea of 're-creation' has been built up, how folk song performers operate improvisation by changing lyrics and the way of performance, and how this improvisation finally leads to the re-creation of the tune. In order to examine the dynamic relationship between the lyrics and the tune, the computer program Praat is adopted. |
本系統中英文摘要資訊取自各篇刊載內容。