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| 題 名 | 「痛與情感」之感官性表現--以動畫《眷.斜陽小徑》為例=Perceptual Performance on Pain and Emotion: With Animation 《Under the Village Sunset》 |
|---|---|
| 作 者 | 張以佳; 李香蓮; | 書刊名 | 龍華科技大學學報 |
| 卷 期 | 33 2013.06[民102.06] |
| 頁 次 | 頁127-149 |
| 分類號 | 987.85 |
| 關鍵詞 | 帕諾夫斯基; 動畫; 痛; 情感符號; Panofsky; Animation; Pain; Symbolic of human feeling; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 藝術創作的泉源往往來自於生活經驗。本創作從電影符號學探討影像的本質,透過皮爾斯(Charles. Saunders Peirce, 1839-1914)解讀符號的多樣性語彙,在連續時間的影格中,藉帕諾夫斯基(Erwin Panofsky)分析影像符號的第二層意義,從歷史文化的角度看記憶的真實,從分離的影像看痛與情感在動畫中的呈現。動畫《眷.斜陽小徑》由臺灣眷村文化出發,抽取時代記憶為創作靈感,藉蘇珊.朗格(Susanne k. Langer, 1895-1982)的情感符號,將眷村符號與情感做連結,透過動畫將人獨有精神生活與感觸表現出來。 |
| 英文摘要 | It goes without saying that art creation is frequently inspired by life experiences. To begin with, the researcher tried to perform diversity of symbols by the versions of Peirce’s semiotics. The second part of literature review concentrated on the second level meaning of Panofsky’s iconology works, which showed the memorable reality by the standpoint of history and culture, and extracted pains and feelings from separate images of films. The animation, Under the Village Sunset, revealed that though current life in military dependants' village seemed to be leisure and pure, the life was filled with revolutions and separation. Besides, according to the inspiration of Langer’s symbols of human feeling, the study attempted to create a link or relationship between the culture of military dependants' village and feelings in order to exhibit spirit life and feelings which only human beings owned. |
本系統中英文摘要資訊取自各篇刊載內容。