頁籤選單縮合
| 題 名 | 《草堂詩餘》與清初詞學宗尚的轉變:追和角度的考察=The Caotang shiyu and the Change in Ci-poetics in Early Qing: A Study of Zhuihe 追和 Compositions |
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| 作 者 | 張玉龍; | 書刊名 | 中國文化研究所學報 |
| 卷 期 | 57 2013.07[民102.07] |
| 頁 次 | 頁173-203 |
| 分類號 | 821.935 |
| 關鍵詞 | 清初; 追和詞; 草堂詩餘; 詞綜; Early Qing; Zhuihe compositions; Caotang shiyu; Cizong; |
| 語 文 | 中文(Chinese) |
| 英文摘要 | The reception of the Caotang shiyu (CTSY) 草堂詩餘 in the early Qing was closely related to changes in the literary discourse on Song-ci poetry that took place during this period. In his highly influential Cizong 詞綜, Zhu Yizun 朱彝尊 (1629–1709) claimed that the CTSY had adversely affected the practice of ci-composition in the Ming and early Qing, a criticism that later became the basis for orthodox discourse on ci-poetics. This discourse, however, was marred by vague and inaccurate discussions. Through a statistical analysis of zhuihe compositions of the early Qing, i.e. compositions set to the rhyming schemes of works by previous authors, this paper attempts to reconstruct the stylistic practice of the time. The analysis shows that the popular aesthetics exemplified in the CTSY seem to have enjoyed great prevalence among contemporary poets, a preference that Zhu made a conscientious effort to undermine by adopting a different set of selectional strategies for his own compilation. But it was to be another decade before the new fashion advocated by Zhu finally gained acceptance as the standard practice in ciwriting. |
本系統中英文摘要資訊取自各篇刊載內容。