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| 題 名 | 覃子豪的象徵主義論=Qin Zi Hao's Symbolism Theory |
|---|---|
| 作 者 | 陳俊榮; | 書刊名 | 當代詩學 |
| 卷 期 | 8 2013.02[民102.02] |
| 頁 次 | 頁1-30 |
| 分類號 | 863.51 |
| 關鍵詞 | 高蹈派; 象徵主義; 交感; 暗示; Parnassian; Symbolism; Correspondences; Suggestion; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 雖然覃子豪不標榜任何主義,但他的詩學理論甚多得利於西洋象徵主義。在他的三本主要詩論作品《論現代詩》、《詩的表現方法》與《世界名詩欣賞》中,不僅著重介紹了象徵主義詩作的特徵,更對著名的象徵派詩人多所討論。他的新詩創作論則顯然受到象徵派影響甚深。本文即據此考察覃子豪關於象徵主義的論述 |
| 英文摘要 | Although Qin Zi Hao didn't advocate any kind of doctrine, his poetic theory received lots of benefits from Western symbolism. In his three major works of modern poetics, On Modern Poetry, The Way of Poetic Performance, and Appreciation of World Famous Poems, not only highlighted the characteristics of the Symbolist poetry, but also discussed very much the famous Symbolist poets. His creative writing theory of modern poetry was obviously deeply influenced by the Symbolist. Based on this point, this paper examines Qin Zi Hao's discourse on the symbolism |
本系統中英文摘要資訊取自各篇刊載內容。