頁籤選單縮合
題 名 | Yuyan as Allegory/Prophecy: Visions of Ruin in Post-Misty Poetry=寓言/預言:後朦朧詩的廢墟視域 |
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作 者 | 楊小濱; | 書刊名 | NTU Studies in Language and Literature |
卷 期 | 25 2011.06[民100.06] |
頁 次 | 頁135-163 |
分類號 | 831.8 |
關鍵詞 | 後朦朧詩; 寓言; 預言; 夢境運作; 聯延句式; Post-misty poetry; Allegory; Prophecy; Dream-work; Hypotaxis; |
語 文 | 英文(English) |
中文摘要 | 這篇論文討論的是1980年代中後期中國大陸「後朦朧詩」的寓言性(班雅明意義上)及對於1989年歷史災難的預言表達。我嘗試追索中國古典詩的國族寓言傳統,並且從德曼的理論出發,描述後毛時代新詩寫作中從象徵到寓言的轉換。寓言的碎片同時透過佛洛伊德的「夢境運作」概念加以說明,其中歷史感的表達是經由檢查機制產生的。在末章裡,我探討了後朦朧詩中(反諷式的)聯延句式如何強化了後朦朧詩的修辭轉向,並且挑戰了我稱爲「宏大抒情」的主流模式。 |
英文摘要 | The paper examines the allegorical nature (in the Benjaminian sense) of "post-misty poetry" in the late 1980s which also demonstrates prophetic articulation of the historical catastrophe in the end of the decade. I endeavor to trace the poetic tradition of national allegory in China and, through de Man's theory, map out the development from symbolism to allegory in post-Mao poetic writing. I argue that allegorical fragmentation can be analyzed in light of the Freudian concept of dream-work, by which historical sensibility is produced under censorship. Then, in the final section of the paper, I attempt to demonstrate how (ironically composed) hypotactic syntax works to enforce, rather than diminish, the rhetorical displacement of post-misty poetry as a challenge to what I call "grand lyrics." |
本系統中英文摘要資訊取自各篇刊載內容。