頁籤選單縮合
題名 | 詩與劇的共舞--論《牡丹亭》下場詩的美感作用=The Dances of Poem and Opera: On the Aesthetic Function of the Epilogue Poems of Episodic in the Peony Pavilion |
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作者 | 吳彩娥; | 書刊名 | 國文學誌 |
卷期 | 17 2008.12[民97.12] |
頁次 | 頁125-145 |
分類號 | 822.5 |
關鍵詞 | 湯顯祖; 牡丹亭; 下場詩; 集句詩; T'ang Hsien-tsu; The Peony Pavilion; Epilogue poems of episode; Poems of collective sentences; |
語文 | 中文(Chinese) |
中文摘要 | 本文就《牡丹亭》的下場詩進行研究,由下場詩與劇中曲文的美感關係、下場詩自身集句性質的美感作用、集句詩的寫景抒情傾向對於戲曲文學敘事道情取向的轉化功能,等三個向度,闡發下場詩的三大美感作用:質的躍昇、斷裂之美、戲的合歡。 |
英文摘要 | This article seeks to present a systematic research of epilogue poems of episode in The Peony Pavilion Interpreting the promotion of quality, the beauty of breaking, and the joint effect of opera by examining the aesthetic relation between epilogue poems of episode and other literature works, the aesthetic function of poems of collective sentences in epilogue poems of episode, and the transformation function of the narrating orientation of opera literature into the imageing orientation of the poems of collective sentences will do this investigation. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。