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題 名 | 法國當代美學對康德的重新詮釋與開展(1):珍奈特論審美關係=Reinterpretation and Development of Kant in French Contemporary Aesthetics (1): Gérard Genette on Aesthetic Relation |
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作 者 | 林志明; | 書刊名 | 哲學與文化 |
卷 期 | 35:7=410 2008.07[民97.07] |
頁 次 | 頁135-148 |
專 輯 | 中西美學與藝術的反思專題 |
分類號 | 188 |
關鍵詞 | 珍奈特; 康德; 美學; 審美關係; 面向性關注; 審美欣賞; Genette; Kant; Aesthetics; Aesthetic relation; Aspectual attention; Aesthetic appreciation; |
語 文 | 中文(Chinese) |
中文摘要 | 在這篇文章中,筆者意圖探討法國當代美學經由康德《判斷力批判》所作的重新出發,並以珍奈特之《審美關係》(1997)為解析對象。在這本著作中,珍奈特首先以面向性關注對康德的美學進行了重新詮釋,並且和英美的現代美學家進行討論。接著他針對審美欣賞這個主題提出了一個超級康德主義的主觀論美學。本文最後就其再出發判定、對話貢獻、方法進路及隱藏的自身品味進行觀察和評價。 |
英文摘要 | This article explores the restart of the French contemporary aesthetics through Kant's Critique of Judgment and takes the Aesthetic Relation (1997) by Gérard Genette as object of study. In his work, Genette firstly reinterprets the aesthetics of Kant through the theme of aspectual attention and dialogues with English-spoken theorists. Then he brings out a hyper-Kantian subjectivist aesthetic theory. The article observes and evaluates in the end the contribution of Genette through the aspects of the restarting, dialogue, approach and his own implied taste. |
本系統中英文摘要資訊取自各篇刊載內容。