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| 題 名 | 七○年代李豐楙臺北城市詩書寫中的在地現代性--兼論1950年世代詩人詩語言意識=Post-Modernization in Poems Describing Taipei City Written by Li, Feng-Mao in 1970s--Concurrently Discussing Poem Language Consciousness Written by the Poets of the Generation of 1950s. |
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| 作 者 | 解昆樺; | 書刊名 | 當代詩學 |
| 卷 期 | 3 2007.12[民96.12] |
| 頁 次 | 頁68-91 |
| 專 輯 | 臺灣學院詩人 |
| 分類號 | 821.88 |
| 關鍵詞 | 城市詩; 臺北書寫; 在地現代性; City poem; Taipei writes; In place modernity; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 本文從李豐楙〈室友畫像一贈W君〉及〈蝶異〉中以黑色為基調的自畫像入手，探討其六０年代末之詩語言意識及修辭話語。〈室友畫像一贈W君〉及〈蝶異〉表面看來採取存在主義與現代主義的寫法，但從對傳統「黑暗」意象的轉義，以及主體旺盛生命力的描繪，可以看出李豐楙語言意識的走向，與(1) 官方強調對絕對正向的語言，以及(2) 六０年代現代主義以晦澀、斷裂語法為標榜的語言傳統，顯然庭徑互異。一如李豐楙，整體來說，在七０年代有意識的1950年世代詩人都自覺地對抗六０年代現代主義。再落實在文體實際的創作來說，他們都在尋找可以指陳自我世代真實的台灣現代經驗的語言。檢視李豐楙「吾街吾巷」系列作品，可以發現在七０年代，李豐楙乃是有意識地將現代主義語言量能減低，改用現實語言進行詩語言表現，而這樣的摸索在〈古城行〉得到初步成果。在〈古城行〉中，李豐楙以現實詩語與歷史修辭進行臺北城書寫，透過對臺北城現實地景空間以及對地圖文本、博物館的遊觀、凝視與對照，挖掘出台灣在地現代性中那混雜國際資本剝削、多政權轉換的記憶，而這本身便隱含著一個「後」(post)的觀看。因此同樣是書寫台灣城市生活，李豐楙所呈現的現代生活觸感，比起瘂弦等前行代詩人便有所不同，帶有真實的台灣在地現代性經驗 |
| 英文摘要 | This article started from black-based self portrait in Li, Feng-Mao's ＂Roomate's Portrait-to Mr. W＂ and ＂Butterfly Variation＂ to discuss poem language and rhetoric in 1960s. The writing of ＂Roommate's Portrait--to Mr. W＂ and ＂Butterfly Variation＂ seemed existentialism and modernism. However, from the transferred meaning of traditional image of darkness and description of vigorous vitality in the subject, it could be seen that the trend of Li, Feng-Mao's language consciousness was very different from (I) absolute positive language emphasized by the authority and (2) modernization in 1960s emphasizing obscurity in meaning and discontinuous syntax. Overall, just like Li, Feng-Mao, the poets of the generation of 1950s in 1970s were aware that they were against the modernization in 1960s. From the aspect of actual literary style creation, they were looking for the language that could express Taiwan's actual modern experience in their generation. Examining Li, Feng-Mao's series of ＂My Street and Alley＂, it was found that he consciously lowered t-he language energy of modernization and used the actual language in poem instead, which result could be seen in his writing, ＂Walk in Old City＂. In ＂Walk in Old City＂, Li, Feng-Mao described Taipei City using atual poem syntax and historical rhetoric. Through experiencing the actual geographic space in Taipei City and visiting, observing and comparing the maps, he discovered the memory that was mixed with Taiwan's post -modernization, exploitation of international capitalism and the change of political powers, implying the aspect of 'post-' Therefore, same as writing the city life in Taiwan, the feeling of modern life expressed by Li, Feng-Mao consisted of actual experience of post-modernization in Taiwan, comparing with Ya-Xian, the poet in former generation |
本系統中英文摘要資訊取自各篇刊載內容。