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題 名 | 書法藝術與紀錄片=Calligraphic Art and Documentary |
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作 者 | 廖慶華; | 書刊名 | 高苑學報 |
卷 期 | 13 2007.07[民96.07] |
頁 次 | 頁341-354 |
分類號 | 942 |
關鍵詞 | 書法; 紀錄片; 裝置藝術; 現代書藝; Calligraphy; Documentary; Installation art; Contemporary calligraphy; |
語 文 | 中文(Chinese) |
中文摘要 | 台灣紀錄片大多偏重在紀錄「事件」上面,藝術紀錄片向來不是主流,粗估統計在1993至1998年間的藝術紀錄片約只佔百分之十左右。最近這十幾年來,台灣各縣市積極拓展地方文化、發展觀光據點以開闢財源,各種文化季的推出讓藝術家有發揮創意的空間;而地方政府為宣揚政績紛紛攝影紀錄下來,意外的增添台灣藝術紀錄片的嶄新內容。在台灣藝術紀錄片微露曙光之際,書法藝術的紀錄片不但付之闕如乏人問津,更遑論與數位媒體新興科技的結合了。書法藝術家們學習與創作書藝的辛苦過程,沒有正式的紀錄,年輕的學子只看到前輩的成就,卻學習不到真正重要的創作精神。具備藝術價值的作品和創作者的性情必有一定的關連,若能紀錄書藝家闡述其作品的意義,現身親自說明其人生觀,或實際演練其創作歷程,可以讓人不僅「看見」了作品,也「看見」了支持偉大作品背後的精神,這正是推廣書法藝術紀錄片最重要的意義。 |
英文摘要 | Most Taiwanese documentaries focus on the recording of events. The art documentary is usually not main stream. From roughly gathered statistics between 1993 to1998, the art documentary is only about 10 percent of all documentaries. In recent years, the cities and counties of Taiwan have developed the local culture and expanded tourism to open up their financial resource. They have held some cultural activities which can let artists bring their talent into full play. Local government wants to publicize its achievement, most of these art activities have been recorded by film. This is very helpful to the Taiwanese art documentary. When the Taiwanese art documentary keeps growing, at the same time the calligraphy documentary is still a rare topic for Taiwanese filmmakers. It is pity that people cannot learn about and realize the spirit and process of these calligraphers. If we can record a calligrapher and expound his works, explain his outlook on life or demonstrate his artworks, we can not only see the works but also see the spirit of these great artworks. This is the most important meaning of calligraphy documentary. |
本系統中英文摘要資訊取自各篇刊載內容。