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題名 | 格調的追求--論沈德潛對明清詩學的傳承與突破=The Quest for Gediao: A Study of Shen Deqian's Reception and Breakthroughs in the Poetic Theories from the Mid-Ming to the Early-Qing |
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作 者 | 陳岸峰; | 書刊名 | 漢學研究 |
卷期 | 24:2=49 民95.12 |
頁次 | 頁225-254 |
分類號 | 821.27 |
關鍵詞 | 李東陽; 復古詩派; 沈德潛; 詩; 格調; Li Dongyang; Ming Neo-classical school; Shen Deqian; Poetry; Gediao; |
語文 | 中文(Chinese) |
中文摘要 | 一般文學批評史均認為清代沈德潛之格調說乃上承明代復古詩派、近濟清初王士禛神韻說之弊而崛興,而又與後起的袁枚所提出的性靈說相頡頏。這實在簡化了其詩學的深度。其實,沈氏之詩學遠伸至明中葉自李東陽以至於明代復古詩派所提出的格調說,並作出突破,此為其縱向的詩學傳承與批判。而其縱向方面並不止於標舉格調,而是以格調為主,轉化性靈,匯通神韻,從而自成一家之詩學體系。 |
英文摘要 | Nearly every history of literary criticism has regarded Shen Deqian’s 沈德潛 theory of gediao 格調 as a supplement to Wang Shizhen’s 王士慎 theory of shenyun 神韻 and a rival to Yuan Mei’s 袁枚 theory of xingling 性靈. The profundity of Shen’s poetics was oversimplified by such traditional viewpoints. In fact, Shen was in dialogue with other poetic theorists of gediao, such as Li Dongyang 李東陽 and the Ming Neo-Classical School, as ear1y as the MidMing, and made breakthroughs on this front. Shen not only emphasized gediao as his main theory; he also tried to communicate with shenyun and xingling. For his creative transformation of gediao, shenyun and xingling, he should be recognized as a poetic master of the Qing dynasty. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。