頁籤選單縮合
題 名 | 清代沈德潛及其「格調說」=Shen, Tao-Chien in Ching Dynasty and His Stylistics |
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作 者 | 余淑瑛; | 書刊名 | 嘉義技術學院學報 |
卷 期 | 64 1999.06[民88.06] |
頁 次 | 頁151-165 |
分類號 | 821.27 |
關鍵詞 | 沈德潛; 格調說; Tao-Chien Shen; Stylistics; |
語 文 | 中文(Chinese) |
中文摘要 | 乾隆時期詩風鼎盛,沈德潛受到國君的寵信及重用,在文壇地位頗高,其提出格 調說追繼前後七子的復古理論,但目的各異。沈德潛提倡格調說,藉著雄渾豪壯、富麗堂皇 的詩歌,作為對統治者禮讚的頌歌,為封建統治階級服務 格調說針對神韻說的閒遠清虛,性靈派的自我無羈,加以矯正。在詩歌的形式上講究章法體 裁,並重視聲調格律的諧和,在內容上則強調溫柔敦厚的詩教。 |
英文摘要 | In the poetry blooming period of Chien-Lung ' Tao-Chien Shen enjoyed high literary status due to the incumbent emperor's trust and appreciation. His proposed "Stylistics" ' followed the traditions of the Ming Literary Group of Seven ' but bore political significance. He emphasized that the style of poetry should be splendid and imposing to glorify the rulers and to be in the service of the feudalism. Different from the leisurism of Rhyme School and free-floating style of Inspiration School, Stylistics centered on the strict poetic form, coherent rhymes and didacticism. |
本系統中英文摘要資訊取自各篇刊載內容。