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題 名 | The Metrical Structure of Changhua Folk Verse=彰化民謠之節律研究 |
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作 者 | 蕭宇超; | 書刊名 | Concentric: Studies in Linguistics |
卷 期 | 32:1 民95.01 |
頁 次 | 頁1-29 |
分類號 | 539.1232 |
關鍵詞 | 語料庫; 民謠; 優選理論; 制約層級排序; 節律; Corpus; Folk verse; Optimality theory; Constraint ranking; Metrical structure; |
語 文 | 英文(English) |
中文摘要 | 民謠在傳統研究上有兩個缺點:一、素材僅限於少數韻行;二、 只著重語言個別派生規律,而缺乏普遍性。本文建立一個720 行的彰 化閩南語民謠語料庫,並提出一個非派生分析。從這個語料庫顯示, 大部分的韻行屬陽性節律,占90.67%,而拍板分享則是避免陰性節律 的手段。本文在Prince and Smolensky (1993)的優選理論框架下,提出 一組節律制約。這些制約屬於普遍語法的一部分,而在彰化民謠中呈 現語言個別性的層級排序。 |
英文摘要 | Traditional treatments of folk verse have two disadvantages. First, they focus only on a small number of lines. Second, they pursue derivational rules on a language-specific basis, but lack universal validity. This paper establishes a corpus of 720 lines of Southern Min folk verse in Changhua and provides a non-derivational analysis of the data. The corpus shows a preference for masculine rhythm, which is found in 90.67% of the data. Metrical beat sharing, then, allows feminine lines to be avoided. This paper puts forth a set of metrical constraints under the framework of Prince and Smolensky’s (1993) Optimality Theory. The constraints are part of Universal Grammar, but are ranked language-specifically in Changhua folk verse. |
本系統中英文摘要資訊取自各篇刊載內容。