頁籤選單縮合
題名 | 雙鋼琴作品中主題承接類型之分析法=A Methodology for Analyzing Patterns of Theme Succession in Two-Piano Works |
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作者 | 楊淑媚; 楊淑娟; | 書刊名 | 國立臺北師範學院學報. 人文藝術類 |
卷期 | 17:2 2004.09[民93.09] |
頁次 | 頁65-78 |
分類號 | 917.12 |
關鍵詞 | 雙鋼琴; 主題承接; 六人組; 法國音樂; Two-piano; Theme succession; Le group des six; French music; |
語文 | 中文(Chinese) |
中文摘要 | 鍵盤樂器重奏作品的特色之一是兩位彈奏者具有默契合作的演出,此要件被視為對作品至善至美的展現。所以演奏前兩位彈奏者共同分析、領略作曲家創作主題的手法,從而能在練習過程與演奏當時,完整掌握主題承接的詮釋是極為重要的。 本論文之主旨是以自訂的六種主題承接類型為分析法的研究對象並運用於雙鋼琴作品中。這六種主題承接類型分析法之名稱分別是:直接承接型、間隙承接型、延後承接型、交錯承接型、緊接承接型與獨立主題型。 分析過程中並藉二十世紀法國六人組作曲家的雙鋼琴作品為實例,舉證說明這六種分析法如何運用於作品中。 雙鋼琴作品中主題承接類型分析法主要是希望能提供學習者除了每日的練彈外,對樂曲彈奏前達到全盤瞭解主題的另一種分析思考方向。 |
英文摘要 | Generally speaking, to a keyboard student practicing piano solos is his/her first priority. Similarly, one of the best approaches to advance his or her skills in instrumental music is to play ensemble along with other fellow students. The advantage of this is that, in addition to introducing a completely different method, it also enriches the musical skill of the players. The tacit agreement between/among players is the key ingredient for successful and perfect interpretation of ensemble works. Accordingly, each individual ensemble player should study and understand how the schemes in the scores alternate, and this was the incentive that brought about this study. In this paper I divided the patterns of theme succession into following six categories: direct succession, skipped succession, delayed succession, crossed succession, stretto succession, and independent subject. This paper demonstrates how to use this methodology as a tool, and the two-piano works by the Group des Six as examples. Hopefully this methodology may serve as a practical tool for analyzing patterns of theme succession for other two-piano works as well. In addition, it may also provide an alternative way of thinking so that both players may better understand how theme in two-piano works. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。