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題名 | The Orientalization of a European Orient: Turkquerie and Chinoiserie in Sixteenth and Seventeenth Century Poland=一個歐洲東方觀的東方化過程--論十六至十七世紀波蘭的土耳其風和中國風 |
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作者姓名(外文) | Domanska, Ewa; Zapedowska, Magdalena; Domanska, Ewa; | 書刊名 | 臺灣東亞文明研究學刊 |
卷期 | 1:1 2004.06[民93.06] |
頁次 | 頁75-88 |
分類號 | 541.263 |
關鍵詞 | 東方學; 波蘭; 中國風; 認同; 大眾文化; Orientalism; Poland; Chinoiserie; Identity; Popular culture; |
語文 | 英文(English) |
中文摘要 | 在十六和十七世紀時,盛行著一種說法,認為波蘭貴族的血統源自於亞太游牧民族中名為薩瑪遜(Sarmartians)的種族。十七世紀時,波蘭和土耳其的戰爭帶來了東方的知識和藝術,波蘭的貴族們在戰後開始以東方的流行來打扮自己,也以東方的藝術品來佈置住家。久而久之,波蘭便被西歐國家認為是「西方中的東方」。十七世紀晚期,西方世界,尤其是英國和法國,也將對中國藝術和文化的迷戀傳到了波蘭;當時對「古中國仙境」的神秘想像,可見於在具有中國風的藝術和建築(尤其是庭園建築)中。土耳其文化對波蘭文化具有直接的影響,並且在十八世紀時被同化並內化成為波蘭貴族文化的一部份。相對於這種現象,歐洲對中國文化的迷戀並非藉由一種直接接觸的方式,而是由西方國家自行建構其形象,這因而形成了對中國的錯誤印象。藉由分析中國的文物和「中國風」的波蘭收藏品,這篇文章的論點認為:即使波蘭和東方有直接的關連,西方世界對中國的浪漫化想像直到今日都還有強烈的影響。當代的波蘭通俗文化充滿了各式「中國風」(室內設計或是醫藥),但這些卻和「真實的」中國沒有多大關連。即使到了今日,中國形象仍組成自一種「帝國的」知識和想像。 |
英文摘要 | In the 16th and 17th centuries the myth of the origin of the Polish noblemen among ancient Asiatic nomads called Sarmatians flourished. The impact of Polish-Turkish wars in the 17th century popularized Oriental knowledge and art. Polish noblemen dressed in Oriental fashion and furnished their homes with Oriental artifacts. As a result Poland was often considered by Western European countries as the “Orient of the West.” In the late 17th century Western and especially English and French fascination with Chinese art and culture passed to Poland. The myth of the “Wonderland of Cathay” was mirrored in art, architecture (especially in garden architecture) in the style called “Chinoiserie”. Contrary to the direct impact of Turkish on Polish culture, which was assimilated and became an integral part of the Polish nobleman's identity, in the 18th century the fascination for China was indirect and formed a false image of this country as it was constructed in the Western countries. By analying Chinese artifacts and examples of “Chinoiserie” in Polish collections, this paper will argue that even if Poland had direct links to the Orient, a Westernized fantastic image of China made a stronger impact and lasts till today in Polish culture. Contemporary Polish popular culture is filled with “Chinoiserie” (interior design, medicine) which has little in common with the “real” China. The image of China even today is formed by an “imperial” knowledge and imagination. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。