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題 名 | 自我的去作品化:主體性與問題化場域的傅柯難題=The Un-working of the Self: A Foucaldian Aporia in Subjectivity and in the Field of Problematization |
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作 者 | 楊凱麟; | 書刊名 | 中山人文學報 |
卷 期 | 18 民93.春 |
頁 次 | 頁29-47 |
分類號 | 146.79 |
關鍵詞 | 米歇•傅柯; 主體性; 另類思想; 域外; 虛構; 死亡; 瘋狂; 不可見性; Michel fouault; Subjectivity; Alternative thought; The outside; Fiction; Death; Madness; Invisibility; |
語 文 | 中文(Chinese) |
中文摘要 | 本文試圖透過傅柯對主體性(subjectivite)的迫問探究其哲學所曾展現的思想特異性,並由此確認(或再確認)傅柯作為一位當代哲學家最 重要的手勢。簡言之,傅柯透過文學、性特質(sexualite)、死亡、瘋狂等極限經驗重寫了帕門尼德斯(Parmenide)「存有與思想同一」的當代版本,只是在 傅柯所簽名的這個版本中,存有成為一種擺脫自我的存有,思想是一種另類思考的思想,而這兩者唯一的同一,則僅由於它們都逼顯且只逼顯差異的力量。差異或另類的永�琣^ 歸。透過這種對差異不斷重複的力量,傅柯並無意揭露某種不可見性,不是要使其變得可見,相反的,是想呈現不可見性是如何的不可見,而且正是在這種不可見性的絕對不可 見中,虛構爆發其最大的威力。哲學僅能是一種虛構,而且正是在這個意義下,傅柯毫不猶豫地表示「除了虛構什麼都未書寫」。 |
英文摘要 | By analyzing Foucault’s inquiry on subjectivity, this paper attempts to demonstrate the singularity of his philosophy and to confirm (or reconfirm) his most important gesture as a contemporary philosopher. In brief, Foucault rewrites “the identity of being with thought” of Parmenides through experiences of limit such as literature, sexuality, death or madness. However, in this modern version signed by Foucault, being becomes a being freed of itself, while thought is always conceived otherwise; the only identity between the two lies in their revealing and only revealing the power of difference. The eternal return of difference or otherness. With the power of constant repetition of difference, Foucault does not intend to unveil some kind of invisibility: not to make it visible but, to the contrast, to demonstrate how the invisibility is invisible. Besides, it is exactly in this absolute invisibility of the invisible that fiction bursts forth its greatest power. Philosophy can only be a fiction and it’s exactly in this sense that Foucault declares without hesitation that “except fiction, nothing has been written.” |
本系統中英文摘要資訊取自各篇刊載內容。