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題名 | 拉威爾的鋼琴作品和聲語法之探討--以《庫普蘭之墓》為例=Analysis of the Harmony Vocabulary in Ravel's Piano Works--An Example of Le Tombeau de Couperin |
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作者姓名(中文) | 蕭慶瑜; | 書刊名 | 臺北市立師範學院學報. 人文藝術類社會科學類科學教育類 |
卷期 | 34 民92.09 |
頁次 | 頁53-89 |
分類號 | 912.33 |
關鍵詞 | 拉威爾; 現代音樂; 音樂分析; 印象樂派和聲; Ravel; Contemporary music; Music analysis; Impressionism harmony; |
語文 | 中文(Chinese) |
中文摘要 | 本文主要以拉威爾的作品《庫普蘭之墓》為例,探討其鋼琴作品之和聲語法。拉威爾全名摩里斯.拉威爾(Maurice Ravel, 1875-1937),本藉法國,為近代著名作曲家之一,其作品涵蓋各項編制,包括如獨奏(唱)、管弦樂及歌劇等,其曲中所呈現的個人特色與藝術價值,早已獲樂界一致的肯定與推崇,並已被公認為與德布西(Claude Debussy, 1862-1918)並列為二十世紀前期之印象樂派(Impressionism)的主要作曲家。 在拉威爾眾多的鋼琴作品中,據筆者之歸納,拉威爾除運用一般印象派作曲家的寫作語彙外,亦同時呈現出有別於德布西的寫作手法-例如清晰的旋律輪廓、獨特的節奏與穩固的曲式結構等,充分顯示其與古典主義的密切關係;而其複雜卻洗鍊的和聲技巧,除具備相當的功能性外,更展現其清晰的調性色彩。有鑑於此,筆者特以其鋼琴作品《庫普蘭之墓》(Le Tombeau de Couperin, 1917)為主題進行探討,希冀能藉由此研究,得以協助習樂者與一般聽眾更加瞭解拉威爾這位作曲家,進而對於國內當代音樂的推動略盡棉薄之力。 本文共分為四部分,依序分別為緒論、《庫普蘭之墓》作品概述、樂曲的和聲語法特質與結論。經由研究認為,在此部鋼琴作品中,基本上拉威爾屬於以相同於傳統調性和聲功能之方式勾勒出音樂的輪廓,同時又以相異於傳統調性和聲功能之方式描繪出音樂的色彩;二者同步運作,展現了瑰麗豐富的音響效果,進而造就出的音樂藝術。 |
英文摘要 | This study is intended to investigate the harmony vocabulary of Ravel's piano pieces by analyzing the work of Le Tombeau de Couperin. Maurice Ravel (1875-1937), a French composer, was one of the most famous modern composers. His works cover, such as, solo pieces, music pieces for orchestra, and operas. Partly due to his artist performance, Ravel had been highly praised, in parallel with Claude Debussy (1862-1918), as one of the primer composers applying Impressionism. In his numerous piano pieces, Ravel utilized composition methods commonly applied by impressionism as well as some techniques depart from those Debussy used. Those techniques or methods that Ravel applied consist of, such as clear melodies, unique rhythms, a well as steady and solid forms. These characteristics in his works depict that his works are close connection to classicism. Moreover, the complicated yet advanced harmony techniques in his works express not only their functionality but also clear and colorful tonality. Therefore, the main purpose of this study is to analyze one of his pieces-Le Tombeau de Couperin (1917) as an example. Four sections comprise this paper, namely, introduction, brief description of the work, analysis of harmonic characteristics, and conclusion. In summary, Ravel applied both traditional and controversial functional harmony techniques. By applying traditional techniques the music contour can be easily sketched in one hand. While the application of controversial techniques enriches music colors in the other hand. The simultaneous application of the two types of composition techniques not only depicts magnificent acoustics but also accomplishes their achievement in music arts. |
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