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題 名 | 從異聲雜鳴到獨白論述--學院主義在臺灣美術的典律化過程=From Hetdroglossia to Monologic Discourse--The Process of Academic Canonization in Taiwan Art |
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作 者 | 謝東山; | 書刊名 | 思與言 |
卷 期 | 40:2 2002.06[民91.06] |
頁 次 | 頁39-89 |
專 輯 | 臺灣文化:臺灣美學與藝術學專輯 |
分類號 | 901 |
關鍵詞 | 江戶時代美術; 光琳派; 學院主義; 典律化; 審美品味; 美術競賽; 學院教育; 異聲雜鳴; 獨白論述; 文展; 臺灣美術; 南國美術; 審美價值標準; Art of Edo era; The Korin School; Academicism; Canonization; Taiwanese art; Aesthetic taste; Art competitions; Discipline of the artist; Bunten; Criteria of aesthetic values; Nan-gou-mei-shu; Social process; |
語 文 | 中文(Chinese) |
中文摘要 | 本文探討的對象為臺灣一般中產階級在圖像藝術審美上的偏好問題。自日治時期起,由日本人所建構的學院審美品味已深入臺灣中產階級的感知領域,內化為他們思考上無意識的一部份。 有認為,這種圖像審美品味與日本江戶時代,代表中產階級的光琳派之審美品味類型極為自似。光琳派起源於17世紀大和繪畫家尾形光琳,其最大特徵是在日本傳統繪畫中,融入自然主義的寫實精神。 審美品味並非人天生的能力,而是後天社會化的結果。因此,有認為日治時期移植到臺灣的光琳派圖品味乃是透過學院教育與美術競賽等社會過程,成為臺灣中產階級的審美價值觀,並逐漸強化為特定的審美趣味傾向。本文試圖追溯的就是這種日本審美品味的形成與轉移至臺灣的歷史過程。本文指出,江戶市民品味能深植人心是透過整個美術生產場域,包括日本與臺灣的,自20紀初以來,對日本明治末期所建構出的學院主義理想的複製。這種帶有個然主義傾向的學院主義,其信仰教條的典律化,若按照巴赫汀的文學理論,可解釋為是從異聲雜鳴到獨白論述的社會過程。 |
英文摘要 | This paper explores the problem concerning the aesthetic tastes of the middle-classes in Taiwan. Since the late colonial period the aesthetic taste in Taiwan, which constructed by Japanese academies, has been imposed into the sensible field of the Taiwanese middle-classes. And this aesthetic taste has being part of their unconsciousness when they encounter the visual art in general. This paper points out that the pictorial taste in question is extremely familiar to that of Korin School, which represents the bourgeois's aesthetic taste of the Edo period, Japan. The Korin School began with Ogata Korin who was a Japanese traditional master-painter of the seventeen-century. The most visible characteristics of the Korin School lies in its pictorial rendering which infuses the manners of the Japan traditional painting and the Western realist painting. Certainly, aesthetic taste is not men's instinct but rather the result of the socializations. It is therefore to be noted that pictorial taste of the Korin School, which transposed to Taiwan during Japanese colonial period, should be viewed as a social process-by forms of disciplines of artist and art competitions. And it has become the particular habitués toward visual art in Taiwan's bourgeois society. What this paper attempts to reconstruct is the historical process of the formation of this Japan's aesthetic taste. It is true that the bourgeoisies' taste of Edo era could impose art production and appreciation to Taiwan was the long process which reproduced the academic ideals of art, firstly constructed in late-Meiji regime, by means of art competitions and the disciplines of the artist's profession. The canonization of this naturalist academicism and its doctrines, according to the literary theory of Mikhail Bakhtin, can be seen as a social process of canonization from hetdroglossia to monologic discourse. |
本系統中英文摘要資訊取自各篇刊載內容。