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頁籤選單縮合
| 題 名 | 試析六朝詩歌所蘊含之佛教文學特色=An Analysis of Buddhist Literature Features of the Six Dynasties |
|---|---|
| 作 者 | 王晴慧; | 書刊名 | 修平人文社會學報 |
| 卷 期 | 1 2001.03[民90.03] |
| 頁 次 | 頁121-172 |
| 分類號 | 821.727 |
| 關鍵詞 | 六朝; 六朝詩歌; 佛教文學; 漢譯偈頌; 偈頌; Six dynasties; Poetry of the six dynasties; Buddhist literature; Chinese-translated chin-song; Chin-song or chant or hymn; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 本文重點在於探揭六朝詩歌中的佛教文學特色，擬由形式、風格與內容等方面，擷取要者概括之。所謂 "佛教文學" ，依日人加地哲定所說：「只有將自己對教理的心得、體驗及信仰化為文學的作品而諷詠、讚歎，方可說是真正的佛教俗文學」�薔L並認為佛典中的譬喻、說話，並非純粹的佛教文學：「僅是使教理平易可讀的一個補充說明方法而已，目的在於理解教理，而不屬於文學的世界。」可知加地先生主張的佛教文學是屬於狹義面的，並不包括佛典文學。此外，蔣述卓先生則認為：「佛教文學可以是佛經文學與崇佛文學的總和」而崇佛文學即：「指文人學士以及僧人為表現崇佛、頌佛、宣教、護教而創作的文學作品。它不包括佛經文學，在內涵上要比佛教文學窄。」蔣氏所說的佛教文學，相對於加定先生，則屬於廣義的。筆者於此文中，則汲取上述學者關於佛教文學的意見，並加以擴充為更廣義，以求盡釋六朝詩歌之佛教文學特色；凡是六朝詩歌中，受佛教有影響者，皆可說於作品中，或多或少地體現了佛教文學特色。故本文並非廣泛性地陳述六朝詩歌的文學特色，僅是針對六朝詩歌中帶有佛教色彩者，擇要作一探討。首節擬先由時代北景切入，以說明詩歌的外緣因素；後二節則分別說明詩歌於形式、風格及內容上染有佛教因子的文學特色。 |
| 英文摘要 | This thesis focuses on reaearch on the Buddhist literature features of the Six Dynasties and summarize them based on formality, style, and content. The so-called "Buddhist literature", according to Jiady Judin from Japan, is "only when we tranform our religious experiences and beliefs into literature compositions for criticisms or admiration can we claim what common Buddhist literature is." He also believes that analogy or saying of Buddhist scriptures is not of pure Buddhist literature. "It's just an easy-to-read way of explaination. It aims at comprehending religious principles but doesn't belong to the world of Buddhist listerature" From Mr. Judin's claim, we can conclue that Buddhist literature is more of a narrow sense that covering Buddhist scriptures. In addition, Mr. Shu-Dro Jiang said: "Buddhist literature can be the sum of Buddhist literature and pro-Buddhist literature. "Pro-Buddhist literature is" the literature compositions created by literators and who want to preach, protect, and show their admiration and praises towards Buddhism. But it doesn's include Buddhist scriptures and its range in content is narrower" Mr. Jiang's definition of Buddhist literature, in contrast to Mr. Judin, is broader in sense. In this thesis, the author summarizes all the above-mentioned literators' different opinions towards Buddhism and extends them to a broader definition to interpret the Buddhist literature featuers of the poetry of the Six Dynasties. Of all poetry of the Six Dynasties influeced by Buddhism, these compositions present Buddhist literature features mor or less. Therefore, this thesis does not extensively state the literature features of the poetry of the Six Dynasties but makes a discussion over the poetry of the Six Dynasties with Buddhism colors. The first chapter cuts to the point from the historical backgroung and explains the exteral factors of the poetry. The latter two indicate the formality, style and content of the poetry with Buddhist literature features. |
本系統中英文摘要資訊取自各篇刊載內容。