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來源資料
相關文獻
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- 先秦時期中國南方飲食文化的考察以「楚辭.招魂」為例
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- 中西文化之比較
- 古代希伯來人分類概念--從Mary Douglas說起
- 天主教羅厝堂區的食物:日常食物、儀式性食物與齋戒
頁籤選單縮合
題 名 | Food Imagery in Amy Tan's The Joy Luck Club and The Kitchen God's Wife=譚恩美「喜福會」與「灶君娘娘」中之食物意象 |
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作 者 | 蕭碧莉; | 書刊名 | 逢甲人文社會學報 |
卷 期 | 1 2000.11[民89.11] |
頁 次 | 頁205-227 |
分類號 | 874.57 |
關鍵詞 | 譚恩美; 食物; 烹飪; 權力關係; 文化; 華美文學; Amy Tan; Food; Cooking; Power relations; Culture; Chinese American literature; |
語 文 | 英文(English) |
中文摘要 | 在《喜福會》與《灶君娘娘》中,譚恩美不時列出食物清單、描述大宴小酌。文本中有充分證據顯示,譚恩美並不以展示食物為唯一意圖。食物意象有三重目的。第一,食物意象有助於書中角色之塑造。第二,與食物有關之活動,例如吃喝及烹飪,象徵男/女或母/女間之權力關係。第三,譚恩美描述中式烹飪的手法,足以反映華裔美籍女兒對母國文化的看法,及其曖昧不明的文化認同。 |
英文摘要 | In The Joy Luck Club and The Kitchen God’s Wife, Amy Tan lists food items and portrays meals and parties from time to time. The texts provide adequate evidences to support the argument that Tan does not attempt to display food only. Food imagery has a three-fold purpose. First, food references help enrich the portrayal of characters. Second, activities concerning food, such as eating and cooking, symbolize power relations between man and woman, or between mother and daughter. Third, Tan’s treatment of Chinese cookery shows how a Chinese American daughter gazes her mother’s culture. It also indicates the daughter’s ambiguous cultural identity. |
本系統中英文摘要資訊取自各篇刊載內容。