頁籤選單縮合
題名 | 賦家與仙境--論漢賦與神仙結合的主要類型及其意涵=Types and Implication of Chinese Poetry That Depict an Escape to a Fairyland |
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作者 | 許東海; | 書刊名 | 漢學研究 |
卷期 | 18:2=37 2000.12[民89.12] |
頁次 | 頁253-283 |
分類號 | 821.92 |
關鍵詞 | 漢賦; 神仙; 司馬相如; 揚雄; 班固; Han Dyansty poetry; Fairies; Ssu-ma Hsiang-ju; Yang Hsiung; Ban-ku; |
語文 | 中文(Chinese) |
英文摘要 | Chinese fu sprang from Ch'u Yuan's "Li Sao," which became the standard for poetry that depicted escapes to mystical fairylands by their authors. Poets after the Han Dynasty inherited a tradition of fu and tsu, which included three main types of fu: literati, historical, and philosophical. This article focuses on a few poems of each genre: for literati, "Yuan You" and Ssu-Ma Hsiang-Ju's "Ta Jen Fu"; for historical, Pan Ku's "Hsi Tu Fu" and "Chung Nan Shan Fu"; and for philosophical, Yang Hsiung's "T'ai Hsuan Fu" and Hsuan T'an's "Hsien Fu." This article also investigates how people with different backgrounds incorporated fairylands into their poetry and the style and characteristics thereof. In particular, how did the grand fairylands in these masterpieces reflect the true dreams and desires of the authors? Also, did the authors exhibit the same spirit as Ch'u Yuan? |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。