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題 名 | 元遺山「論詩絕句」其七初探=A Critical Analysis of Yuan Yi Shan's "Lun Shi Jue Ju," No.7 |
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作 者 | 蔡玲婉; | 書刊名 | 和春學報 |
卷 期 | 6 1999.07[民88.07] |
頁 次 | 頁55-65 |
分類號 | 851.456 |
關鍵詞 | 元遺山; 論詩絕句; 敕勒歌; 北朝民歌; Yuan Yi Shan; Lun Shi Jue Ju; Poems of the northern dynasties; Chi Lei Song; |
語 文 | 中文(Chinese) |
中文摘要 | 元遺山<論詩絕句三十首>,疏鑿詩歌正偽,組詩中第七首特舉<敕勒歌> 為品評對象,以論北朝民歌具天然之姿、英雄慷慨之氣,本文對此詩加以鉤隱抉 微,旨在探索遺山肯定北朝民歌的因緣。 遺山為北人,在學術、文化的陶習,與審美品味的獨向,論詩重「氣骨」、「天 然」。以<敕勒歌>綰合二正體,不但標舉出<敕勒歌>的藝術特色;也說明詩歌創 作中此二體互為表裡的審美特質,對於雕琢過甚的柔靡之作下一針砭。以<敕勒 歌>稱代北朝民歌,肯定它上承建安風骨、下啟唐詩氣象的文學地位。這種風骨 的承繼,不拘於政治正統的觀點,正隱含遺山對金代詩歌接軌正統詩風的肯定。 |
英文摘要 | In his thirty poems entitled "Lun Shi Jue Ju," Yuan Yi Shan has discernedwhether a poem can.belong to orthodoxy or not. Of all these poems in series, "ChiLei Song," No. 7, is especially picked up as the target of his critique: that ballads ofthe Northerri Dynasties are characterized by natural textures as well as impassionedmanners will be demonstrated by this "Chi Lei Song." So this article is going to beaimed at focusing on it to make clear the cause and effect concerning why Yi Shanwould personally side with ballads of the Northern Dynasties. Yi Shan comes from the North. Academically and culturally nourished alongwith aesthetically strengthened to acquire his unique sense of artistic appreciation, hehimself remarkably emphasizes poetic character and non-artificiality while critiquingpoetry. And it is these two features that have substantiated "Chi Lei Song," whosemerits-artistically speaking- are thereby exposed vice versa. Moreover, it is alsohighlighted that in the process of poetic creation, both features should always betreated as two sides of the same coin. In this respect, whatever has been alreadycreated out of too much embellishment does deserve harsh criticism. To recognize"Chi Lei Song" as being able to represent all poems of the Northern Dynasties is tohold true that poems of the Northern Dynasties have indeed secured their literaryposition not only of inheriting specific poetic character from the Chien An Period butalso of making effective entry into artistic climates pertaining to the Tang Dynasty.To carry forward the past and forge ahead into the future as indicated has clearly gonebeyond points of view based simply on political authenticity, and thus has furtherimplied Yi Shan's affirmation that the Tungustic Dynasty of Chin may well continuesthe poetics of orthodoxy. |
本系統中英文摘要資訊取自各篇刊載內容。