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題名 | 歷史與人性的反思--受邀展於「二二八」美展的兩件裝置作品=Review on History and Humanity--Two Pieces of Art Work Invited in "228" Art Exhibition |
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作者 | 林珮淳; | 書刊名 | 中原設計學報 |
卷期 | 1:1 1999.01[民88.01] |
頁次 | 頁129-137 |
分類號 | 901.8 |
關鍵詞 | 二二八事件; 裝置作品; 女性藝術; Incident 228; Installation work; Women's art; |
語文 | 中文(Chinese) |
中文摘要 | 本文主要是闡述作者受邀請參展於「二二八」美展的兩件裝置作品,透過對作者的創作背景、作品分析而帶出了反思歷史與人性的議題,所使用的元素與媒材也敘述了創作理念,並印證了作品的意義與價值。「黑牆、窗裡與窗外」是作者體會受難遺族被窺視之痛而完成的作品,是要這世代的臺灣人「正視」這段歷史。第二件作品「向造成二二八臺灣歷史大悲劇的當局者致意」則從反謹觀點,提醒強權者要徹底檢討對弱勢者的態兖。因此,本篇的作品理念是強調出「二二八」事件不僅是臺灣歷史中不可忘記的教訓,更是人類必需反省的重要課題。 |
英文摘要 | This article mainly is to interpret the artist’s two pieces of work invited in “228” Art Exhibition. Through the artists’ creation background, work analysis, the subject of a rethink and review on history and humanity is drawn. The applied element and medium material also describe the creative concept, and verify the significance and value of the works. “Back Wall, Inside and Outside the window” is a work of the artist’s perception of the pain of being peeped suffered by the deceased “228” victim’s family members. It attempts to request this generation of Taiwanese to “face” this history in front. The second piece of work “To Address Regard to the Authorities Creating the Great 228 Taiwan Historical Tragedy” attempts to remind the authorities from an ironic viewpoint, to thoroughly inspect their attitude toward the weak parties. Therefore, the concept of the work of this chapter attempts to emphasize that the “Incident 228” is not only an unforgettable lesson in the history of Taiwan, but also an important theme that the human race shall review. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。